When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
All of a sudden I'm in the major leagues and we're traveling from town to town. I see the other players dressing different every day. I've got only one suit and I keep wearing it over and over. I'm really embarrassed.
The more I see of men the more I like dogs.
Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.
Sometimes I see myself fine, sometimes I need a witness. And I like the whole truth, but there are nights I only need forgiveness.
I see my role as a scholar announcing that women's feelings of unworthiness and insecurity often may be traced to training in a male-oriented religion, and I'm trying to investigate a richer spiritual life for both sexes.
I scroll through Instagram and Twitter, and whenever I see something that speaks to me, I take a screenshot to save it for red carpet inspiration. Sometimes, if I see an outfit I like on the street, I'll take a picture, too. References are so important.
You fight, you try your best, but if you lose, you don't have to break five racquets and smash up the locker room. You can do those things, but when you've finished, nothing's changed. You've still lost. If something positive came from that, I probably would do it. But I see only negativity.
If I close my eyes and think of Hollywood, all I see is one big varicose vein.
I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
The human overpopulation issue is the topic I see as the most vital to solve if our children and grandchildren are to have a good quality of life.
When you go away, you see where you come from in a different light. I see Scotland, and the rest of Britain, as much more exotic than I used to.
I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.
I run around, I listen to a lot of music, go to a lot of concerts. And when I see someone that gases me, I try to go out of my way to involve them somehow in what I'm doing or get involved in what they're doing.
I always keep a supply of stimulant handy in case I see a snake, which I also keep handy.
You know what makes me feel old? When I see girls who are 20-something, or the new crop of actresses, and think, Aren't we kind of the same age?
Poets say science takes away from the beauty of the stars - mere globs of gas atoms. I, too, can see the stars on a desert night, and feel them. But do I see less or more?
In my own life I studied music, not creative writing; I see a novel as music - an opening as an overture, themes and subplots as lines in a fugue. The chance to write a novel about a musician boxed in by all kinds of limitations but who plays out his ultimate struggle for freedom at the piano was irresistible.
It's pretty rare that I see a film that I did a long, long time ago.
I see that all of us who live are nothing but images or insubstantial shadow.
The process of receiving information for me is seeing, hearing, and feeling their energy in my frame of reference. That doesn't mean I see the individual, unfortunately.
As I get older the stars have gone from my eyes more, and I see that life is just something that has to be lived with, that it's better not to struggle.
There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
When I see a colour or hear a sound, I am aware of something, and not of nothing.
I would like a UK fully engaged in Europe, but I can't decide in place of the British. I see that for the moment they want to be more in retreat.
How I see my career is very much as an entrepreneur in the field of philanthropy.
The way it works for me is my sight and sound senses are combined. Every sound I associate with a color and every color I associate with a sound... The way I see things is constant streamers across the room, bouncing off from every touch and every sound. Over the years, I've learned what color palates I love most.
I write when I'm inspired, and I see to it that I'm inspired at nine o'clock every morning.
I am so not a proper, good female. I can't dance in high heels and I'm just so not girly, but then I see these men with these banging bodies, dancing in heels, singing, and having so much fun with so much make-up on. That makes me honestly want to be a better woman.
I do not pretend to know precisely what is on foot there; but I think it pretty evident that there is a very free communication between that country and this body, and unless I am greatly mistaken, I see the dwarfish medium by which that communication is kept up.
The things that make me very angry are injustice and bullying. If I see someone bullying a woman or child in the street, or kicking a dog, I go completely mad.
Everything I've written I see in a very precise way and I hear in my inner ear.
I hear, I know. I see, I remember. I do, I understand.
Most people can't see beauty and love. I see our music as medicine.
I'm offended every time I see George Bush on TV!
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
