The older I get the more of my mother I see in myself.
A lot of people probably don't realize how difficult it is to stick to that lawyer speak when you're not a lawyer. I see everyone on 'The Good Wife' - everyone, people who have been there since day one - struggling with that language because it is just not how people talk.
You just have to be very humble if America has really worked for you like it has for me. Most of my friends are poor. Most of my siblings are poor. I see how hard it is just to get money unless you've got some incredible luck or work incredibly hard. I want everyone to do well. I wish 'Wayne's World' money on you!
I'm using my art to comment on what I see. You don't have to agree with it.
I wish to lead a life free from care, and I see that I shall be unhappy if I cannot always work at my art.
I see it as a compliment to be compared to someone like Sharapova who has won five Slams. She's a great champion. I see it in a positive light. But also I'm my own person. I don't want to be the next someone else. I want to be the first of me.
I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality.
As I work, I see my writing - each scene, each chapter, each section, each book - in three-act structures and classic myths, and I analyze them through the handy filter of the detective story.
I see the love in my child's eyes when he sees me, and I know it's gigantic. As an older person, I've been in love before, and I've loved, but this is really an immense, out-of-control-proportion amount of love that you can't even describe.
I see myself at a certain age as not being able to play the kind of parts that would keep me stimulated, and I can't imagine my life ending professionally the moment that I've got to go to the plastic surgeon and have my face rearranged.
The way I see it, all the popular singers are strippers.
I have visited some places where the differences between black and white are not as profound as they used to be, but I think there is a new form of racism growing in Europe and that is focused on people who are Middle Eastern. I see it.
I see ghosts.
When I see some of the people who are glorified in magazines these days - who are so thin it's bordering on sickness - I just feel exhausted.
I look at ordinary objects, and I see things that other people don't see. That's why I'm a photographer.
The way I see it, if you want the rainbow, you gotta put up with the rain.
Online I see people committing 'social media suicide' all the time by one of two ways. Firstly by responding to all criticism, meaning you're never going to find time to complete important milestones of your own, and by responding to things that don't warrant a response. This lends more credibility by driving traffic.
I have a lot to do with the writing, and also the production, but it would be wrong of me to say that I'm the most important member of the band, because everybody is important the way I see it.
I see an issue I like, and I support it.
I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised.
I see myself as 38, but you don't notice it.
I see my work as a continuum, moving from book to book.
I see the state of all of us who live, nothing more than phantoms or a weightless shadow.
I see a direct line between Kennedy and Richard Nixon and the opening to China and the detente with the Soviet Union.
If you ask me, I have not really seen any negative side of this industry. I have not met those kinds of people who can change the way I see this industry and make me feel that it's a bad or a dark place.
I fight for the environment because we only have one planet, but I see how the environment affects poverty and how the environment affects women around the world.
Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.
I see myself as most people see themselves, you have good days and bad days. I don't think I'm better looking now than I did three years ago.
I try to be as honest about what I see and to speak rather than be silent, especially if it means I can save lives, or serve humanity.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
I see man more as an instrument or an agent more than anything else.
Although, this is often used with negative connotations, I see ideology as an inherent part of culture.
I see the staff and crew on the set as my equals. When I make a mistake, they know they can call my attention or even tell me what to do.
Sometimes, there's a preconceived notion of how a scene or how a work should be delivered. And I see young performers sometimes try and deliver that, and it's not really true to their voice or who they are.
When I see kids standing next to their mothers at book signings, clutching a copy of 'Forever,' I know what's coming. They'll say to me, 'How old do I have to be to read this?' hoping I'll give them permission. But I can't do that.
The way I see it, when I go out as an actor, it should be on a type of film I'm never going to do as a director.
