I find that when I come upon something that I think is a historical revelation, I have the sort of adrenaline rush that I imagine a gambler gets in Las Vegas when he hits the jackpot. It's still tremendously exciting to me, and I think all of my peers in the business feel the same way.
Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the director's eyes, you 'get it right' does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater.
Being in Vietnam and being around a major story of the time was always a great shot of adrenaline.
I can see how a person could get addicted to the adrenaline of moviemaking.
Show business is not conducive to mental stability. It's a constant rollercoaster of adrenaline spikes and devastating let-downs. There's something about seeing a face from the telly in real life that makes people deranged.
Maybe it's stress or anger or adrenaline or disillusionment or a bullying nature or simple fear of getting killed themselves, but there is a problem if a cop cannot tell the difference between a menacing gangster and the far more common person they encounter whose life is a little frayed and messy.
If you act scared, your body produces adrenaline.
All the fans being here got my adrenaline going. I definitely got a burst of energy from them.
Don't get me wrong - I love books! I just think a video has a bigger bang when it comes to a good, old-fashioned adrenaline rush.
The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.
Running for office is similar to being a trial lawyer in a very long trial. It requires adrenaline and stamina; it requires being in shape mentally and emotionally. It's a marathon.
All actors know that the real adrenaline rush is in doing theatre. There is an immediate connect, and a role in a play, for an actor, is the biggest temptation.
I think what my hope is is that the only downside of having a steady job on television is, I think for all actors, there's a piece, there's some adrenaline, and part of the love of the job is not knowing what's coming next, and the variety.
When that glass broke and 'Stone Cold' was making an entrance, and that roof blew off that building, that sends you higher than life or anything that I know of. It's an adrenaline rush you can't explain.
Think of it this way: performing is like sprinting while screaming for three, four minutes. And then you do it again. And then you do it again. And then you walk a little, shouting the whole time. And so on. Your adrenaline quickly overwhelms your conditioning.
When I got on stage, I would have a rush of adrenaline; everybody gets it. Normally after the first night it becomes more controllable, and as long as I could ride the wave, I was still in charge.
It seems like what happens when we play games is that we go into a psychological state called eustress, or positive stress. It's basically the same as negative stress in the sense that we get our adrenaline up, you know, our breathing rate quickens, our pulse quickens.