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I read two mysteries a day when I was a kid. All of Agatha Christie, all of 'Sherlock Holmes.' I've seen every single British detective show ever made.
My best advice for writers is: Have your adventures, make your mistakes, and choose your friends poorly - all these make for great stories.
I've always had a soft spot for comic books. I learned to read from them. The words in them were so interesting.
Isn't it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
Don may yawn at the idea, which he often does, but the great thing about Don, he has confidence in me and Mike and Ed and Leslie and Steve, that we're not going go out and do stories that will put people to sleep.
There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.
How many stories do you know about people cooped up in places because of deep snowfall? How many stories where something good happens to those people?
I went through quite a few establishments that maybe weren't great for myself - security units, youth-offender places. I guess that was going to the lions' den. Social services said, 'You've got to go to some sort of school.'
I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.