Zitat des Tages von King Krule:
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
Growing up in any big city, you get exposed to so many beautiful cultures. I've grown up with a lot of open eyes around me that's influenced my eyes to open.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I actually find a lot of pleasure in writing lyrics.
I went through quite a few establishments that maybe weren't great for myself - security units, youth-offender places. I guess that was going to the lions' den. Social services said, 'You've got to go to some sort of school.'
I was always wrapped around music being a tradition, a skill.
A lot of the time, I was unhappy as a kid, so I spent it, I guess, in a gray place.
I got a lot from my uncle who is a really good ska guitarist. Very ragged makeshift rhythms and intricate lines.
Especially with the live, just the way I curve words, it's about expression. It's so emotive, to be able to release these words into a mike. It really emphasizes this insane tingle down my spine whenever I play.
There's a lot of tension in London, but then you realize it's always been there, in its history, and that the best thing about London, that there's always been this tension.
I guess from 12 onwards I was always into my music.
My dad is an art director for BBC TV shows, and my mum does screen printing workshops. Both of my parents played instruments, too, and my mum used to have crazy house parties when me and my brother were young - dub and garage would be banging through my house.
All of my stuff is raw, it's emotive, it's real.
When I make music, it's a very visual thing. Conjures up a lot of images.
Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'
Because the Internet's there, I have access to a lot of the legends, like Fela Kuti. I used to watch a lot of Fela Kuti videos, just to see how he performed. He inspired me a lot, actually, because he was a man of many words, many good words.
My uncle was in a ska band called the Top Cats; that was my first proper influence, as I was taken to see them every week. It sort of built up, the want to replicate it creatively.
A lot of people who have been perceiving my music have been trying to formulate a genre for it, and I think it's just a natural thing; it doesn't need to be categorized. It doesn't need to be sectioned, if you will.