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Digital makes things feel more real, like you could reach out and touch them.
I guess I'm motivated by the fear of failure to some degree and knowing what can happen when you don't do things the way you need to do them to have success.
In a globalised world, so many of us move around so much. You lose things, but you also gain things - or hope to gain them.
A 10-year-old knows a lot. If you think she or he isn't noticing the world around them, you're missing a lot.
When you look into the eyes of your people out there that came to see you, that's when it's like, 'Yep, this is what it's all about.' This is why we don't sleep, and this is why we write songs and try to be the best. This moment right here onstage.
When you see a tumour in the brain, it's an ugly looking thing. It's kind of black, grisly and messy. Or it can be white. To see it taken away is just amazing.
I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.
Buddhism teaches us not to try to run away from suffering. You have to confront suffering. You have to look deeply into the nature of suffering in order to recognize its cause, the making of the suffering.
In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.
