Abschied / Farewell Blick / Glance Freiheit / Freedom Gab / Gave Gebäude / Buildings Gut / Well Kam / Came Kameraden / Comrades Lange / Long Sicht / Sight Stein / Stone Verzweifelt / Despairing Wagen / Wagon
When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
I feel that doing theater does give you a good grounding to work on camera. The audience is the lens.
There's parts of it that I connect to - being a father and everything - but 'Mamma Mia!' allows me to go out there and be me and have fun. I've never really had the chance to do that with so much freedom.
A lot of scripts that I was given I didn't feel were right for me, because I didn't feel anything for them - I didn't feel like I was going to change in life and start directing.
I'll be with The Goat until the fall. Then I've been given three plays to look at and there have been a couple of films have come over the desk. I will probably not do either one of them.
As a cameraman, I was paid to stand within a few feet of Yehudi Menuhin performing. I saw Rudolph Nureyev dancing. I couldn't believe I was being paid for that.
Bill Gore from Goretex was a very strong influence because he was one of the first larger companies to experiment with freedom in the workplace.
He never wants anything but what's right and fair; only when you come to settle what's right and fair, it's everything that he wants and nothing that you want.
When you let travelers vote with their clicks, and you put that at the center of your decision-making, you build the product they want, and ultimately, their business will follow.
