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Every time you get in shape for a role, there's a different way to do it so it doesn't get boring.
You've been entrusted with a lot of money and a lot of careers, and a lot of people put their faith in me, and every director goes through that every time.
It seems like every time you come up something happens to bring you back down.
I'm not a hoarder, I'm a collector: if you have something you like, every time you see it, you have a little happy hit.
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
How people are around a director, it really does affect everything, every detail of the life of the movie.
You learn so much from competition you gain confidence every time you have to step up and perform.
Every actress has a line she'll draw, where she'll say, 'This I will do and this I won't.' For me, everything has to be important to the story and the director has to be able to tell me why.
Every time you say yes to a film there's a certain percentage of your yes that has to do with the director, a certain percentage to do with the story, a certain percentage with the character, the location, etc.
