Anvertraut / Entrusted Direktor / Director Durch / Through Geht / Goes Geld / Money Gewesen / Been Glauben / Faith Jeden / Every Jedes Mal / Every Time Karriere / Careers Leute / People Menge / Lot Mir / Me Sie / You Stellen / Put Zeit / Time
Every time you say yes to a film there's a certain percentage of your yes that has to do with the director, a certain percentage to do with the story, a certain percentage with the character, the location, etc.
Every time I've been on Everest, people have died, though not in any expedition I was part of.
To me it's like, every time I'm a director, like today, you're the captain of the ship, so you better dress like it. You're the host of the party.
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
I didn't 'decide' to write YA, per se. But every time I thought of a story, it featured characters 15, 16, 17.
Every time a director calls me and says, 'If you practice a lot in two months, can you be an American?' And I always tell them, 'Well, maybe but I'm French. So it's going to be hard to be someone else.'
Romance novels have the power to bring love into the lives of readers. Through the characters, we get to fall in love every time we pick up a romance novel. What could be better than that?
You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.
Every time I'd get a job, they'd say: 'You'll be good at loading trucks.' I couldn't explain that there was more to me than carrying things.
