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As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
I hate biographies which say, I was called to such and such an office, and he offered me so and so, and I got so and so money. I find that very tedious. The best biographies are written by other people.
Country people give me more than writers, and country places than towns.
Well, I called him and I said, Mr. Wright, what can I do? Universal offered me a contract $300 a week. He says take it. You'll never get that money from me.
Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked.
Get more women producers, writers, directors. Why should we expect men to do it for us? They can't.
I was offered a few shows, but the money didn't work out, but I'm not very keen on judging such shows. I'm happy in my space as a composer.
Any life is made up of a single moment, the moment in which a man finds out, once and for all, who he is.
A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.
