Abspielen / Play Anzeigen / Ads Benötigt / Requires Darsteller / Actor Ebenfalls / Also Erhalten / Get Fernsehen / Television Filme / Films Gut / Good Gute Schauspieler / Good Actors Probe / Rehearsal Schwer / Hard Sechs / Six Theater / Theatre Wer / Who Wochen / Weeks
For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.
When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
It takes a good deal of physical courage to ride a horse. This, however, I have. I get it at about forty cents a flask, and take it as required.
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
I'm just attracted to good material and great characters and that can come in any form, whether it's television or film or a theatre piece.
When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp.
