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I don't know if I see myself as really an action hero, but I like doing physical movies and I like doing movies where the writing is very lean.
Sometimes when you're a songwriter, you kind of have this egotistic thing: you just want to write something that you love, and you don't care about if people like it or not, but personally, I want to write something that people can jive to.
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
A lot of comedians get a bad rep once they have kids and that's all they talk about, and people are like, 'I don't want to hear about your kids!' I'm like, 'Prepare yourselves. That's all I'm going to talk about.'
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
There are people who you see on screen and think, 'Wow, that's a slim person,' and in the flesh they look nearly dead.
With screenplays, it's all about being as concise as possible. If you have a scene that's set in a bar, you just have to write, 'Interior: Bar.'
We see the people that have got stars in their eyes, but if you've really got what it takes, you can get from, say the beginnings, to the top in about five years.
Being an actress is a very physical thing. If I didn't look the way I looked, I would never have started in films.
