Zitat des Tages über Drehbücher / Screenplays:
I'm developing some screenplays at the moment with my Australian producer.
I think of myself as a guy who tries to write screenplays and now has tried to direct one. Anything more than that is meaningless and it gets in the way of being a real human being.
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
I think I've had pretty good experiences for the most part with the people who have directed my screenplays.
I've started movies without screenplays both on 'Clash' and on 'Hulk,' and that is tremendously stressful because you have a tendency to overcompensate with effects. You haven't tested it in your head. You didn't run it over and over again and covered all of the plot holes and figure it out. It's a marathon that you sprint.
When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.
I do have screenplays I've written that never saw the light of day, but I don't usually go back to them. When I've told a story, I want to tell another story.
I don't read books on how to write screenplays just because I'm stubborn. So it's all sort of made up.
I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.
At the moment, I'm toying with a new idea for a book, but fully engaged with writing screenplays, so the book idea - which needs empty space in my head - is barely formed yet.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
A government institution called the Finnish Film Foundation funds filmmaking there, and I wrote several screenplays but never got any money. They were sent back to me, and they said that they were too commercial for them.
Most screenplays depend primarily on the vision of a director.
Generally, screenplays suck.
When I graduated college I needed to make money while I was pursuing acting, so I read screenplays and made a living writing coverage on them for studios.
I actually think I'm probably more interested in structure than most people who write screenplays, because I think about it.
But the longer I'm in the business, you see a lot of times these screenplays have been rewritten 5 times and you're not really offending an author.
I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit.
I find screenplays easy to write, my novels being very visual. You see what people look like. The physical action is described.
I've been a screenwriter for twenty-five years. Every one of my books have been optioned for movies and I have written a few of those screenplays.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
I started writing screenplays myself and eventually directing.
I do not think I will ever write screenplays based on my books. I would not know what to cut out and what portions to keep. I like all the characters I have created. I cannot imagine chopping them off.
I've written a couple screenplays and half-finished plays.
The whole process of making movies and writing screenplays is visceral and intuitive.
I write screenplays in the middle of the night.
Over the years, many producers have come and gone, and screenplays were written and abandoned. It's the Hollywood process. It's hard to get things done.
It's hard writing screenplays.
I've written about 15 screenplays and they all sold - they were all sold on pitches.
I've only ever taken a playwriting class, but I like creative writing and writing screenplays.
I just really loved films and thought I should be writing screenplays.
I did write a couple of original screenplays, but I'd rather write plays.
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.