Er / He Gehen / Going Geht davon aus / Assumes Gut / Good Guter Kerl / Good Guy Ihm / Him Immer / Always Kampf / Struggle Kerl / Guy Publikum / Audience Schlecht / Bad Schlechter Typ / Bad Guy Sieg / Win Verlieren / Lose Was, wenn / What If Will / Wants Wohingegen / Whereas
Cinema explains American society. It's like a Western, with good guys and bad guys, where the weak don't have a place.
In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.
I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality, most of the sheriffs were as bad as the gangsters they were after.
I always try to find something I like about the bad guys and then try to find the mistakes and the flaws in the good guys.
Playing a bad guy is always more fun than playing the good guy.
On 'CSI: NY,' the audience knew I was a really good guy, and I caught the bad guy.
My acting career wasn't going where I wanted it to. I wasn't getting good parts. I got so bored with myself that I started writing.
That's sort of what I like about this character is that he's not the good guy, he's not truly the bad guy.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
