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I was a singing disc jockey who heard every type of music there was - and loved it all.
Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
Texting is not flirting, if you don't care about me enough to say the words than that's not love, I don't like it!
Dancers are stripped enough onstage. You don't have to know more about them than they've given you already.
If you're doing a music film, you've got to be singing about something.
I look at is as one single entity. I dehumanize the audience. This way, I don't get nervous, you know?
The best thing about working on a movie with dancers is that we would get to have dance parties all the time!
I used to dance around the house and taught myself the 'Annie' soundtrack. I got into singing and fell in love with it.
I still love playing music. It was all I ever wanted to do, and I got the chance to do it.
