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I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
I don't know, I'm literally the most awkward, socially strange person.
What is not in the open street is false, derived, that is to say, literature.
I don't believe in myths of decline or myths of progress, even as regards the literary scene.
Most performers don't admit this, because it sounds negative and performers are not supposed to be negative, but when I was on the road, I was lonely.
Not only is the self entwined in society; it owes society its existence in the most literal sense.
I have no models in Japanese literature. I created my own style, my own way.
Anyone aspiring to literary greatness should read 'New Grub Street' and weep.
Sarfati. That's my real last name. I don't use it a lot because I got 'Lea So-fatty,' 'Lea So-farty' at school.
