Zitat des Tages von Haruki Murakami:
In my younger days, I was trying to write sophisticated prose and fantastic stories.
When I write about a 15-year old, I jump, I return to the days when I was that age. It's like a time machine. I can remember everything. I can feel the wind. I can smell the air. Very actually. Very vividly.
I myself have been on my own and utterly independent since I graduated. I haven't belonged to any company or any system. It isn't easy to live like this in Japan.
I think history is collective memories. In writing, I'm using my own memory, and I'm using my collective memory.
I lost some of my friends because I got so famous, people who just assumed that I would be different now. I felt like everyone hated me. That is the most unhappy time of my life.
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished.
I collect records. And cats. I don't have any cats right now. But if I'm taking a walk and I see a cat, I'm happy.
You are 27 or 28 right? It is very tough to live at that age. When nothing is sure. I have sympathy with you.
It's physical. If you keep on writing for three years, every day, you should be strong. Of course you have to be strong mentally, also. But in the first place you have to be strong physically. That is a very important thing. Physically and mentally you have to be strong.
In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
I don't get bored.
I used to run a full marathon in three hours and 25 or 26 minutes. Not any more.
I try not to think about anything special while running. As a matter of fact, I usually run with my mind empty. However, when I run empty-minded, something naturally and abruptly crawls in sometime. That might become an idea that can help me with my writing.
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
Stories lie deep in our souls. Stories lie so deep at the bottom of our hearts that they can bring people together on the deepest level. When I write a novel, I go into such depths.
Most young people were getting jobs in big companies, becoming company men. I wanted to be individual.
My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves.
As a novelist, you could say that I am dreaming while I am awake, and every day I can continue with yesterday's dream. Because it is a dream, there are so many contradictions and I have to adjust them to make the story work. But, in principle, the original dream does not change.
I started writing at the kitchen table after midnight. It took ten months to finish that first book; I sent it to a publisher and I got some kind of prize, so it was like a dream - I was surprised to find it happening.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
For novelists or musicians, if they really want to create something, they need to go downstairs and find a passage to get into the second basement. What I want to do is go down there, but still stay sane.
It is hard to be an individual in Japan.
If you cannot concentrate, you are not so happy.
You know, if you are kind of rich, the best thing is that you don't have to think about money. The best thing you can buy with money is freedom, time. I don't know how much I earn a year. I have no idea. I don't know how much I pay in taxes.
I've run the Boston Marathon 6 times before. I think the best aspects of the marathon are the beautiful changes of the scenery along the route and the warmth of the people's support. I feel happier every time I enter this marathon.
I had no ambition to be a writer because the books I read were too good, my standards were too high.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
If you remember me, then I don't care if everyone else forgets.
You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally.
I have no models in Japanese literature. I created my own style, my own way.
Many people, especially young people, would like to be more independent and on their own. But it is very difficult and they suffer from feelings of isolation. I think that is one reason why young readers support my work.
You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.
Writing is fun - at least mostly. I write for four hours every day. After that I go running. As a rule, 10 kilometers (6.2 miles). That's easy to manage.