I had no desire to be famous; I just wanted to make the greatest music ever made. I didn't want anyone to know who I was.
Every animal would rather die themselves than lose their offspring. But it's just genes, isn't it? All of our existence is spent worrying about the next generation, but we don't actually seem to get anywhere.
I get a much more extreme reaction when I have my hair really short. I look thuggish when I shave my head and wear big boots. I walk into a newsagent and people think I'm going to jump the counter. It's a much more extreme reaction.
I'd rather spend my time looking at the sky than listening to Whitney Houston.
I never answer if someone knocks on my door and only the band and my manager have my phone number. In any case my phone doesn't ring so I never notice it. I occasionally just walk past and pick it up to see if anyone's there.
I think the rock'n'roll myth of living on the edge is a pile of crap.
If any of our songs ever did make it on the top ten, I'd disband the group immediately.
Each time I play a song it seems more real.
Reading is something I've really missed, not being able to enter people's worlds.
I wore makeup when I was at school, and I wore makeup when glam started. I started wearing it again when punk started. I've always been drawn to wearing it. It's partly ritualistic, partly theatrical and partly just because I think I look better with it on.
I don't dislike my peers because they're still around and remind me of what I'm doing. I never liked them anyway. I never liked U2, the things they've done over the years.
When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.
I still frequent my parents' house. I go there to escape, back to the bedroom that I grew up in. Just to sit there and feel small.
I don't find the technology threatening. A lot of people my age, my generation, find it difficult to immerse themselves. But I would never preclude the idea of using any technology if I thought it suited the end result.
For a period in the '90s, I felt that the Cure was massively undervalued. But there has been a paradigm shift. There's a bunch of newer bands coming up who've grown up listening to the Cure and don't understand that you're not supposed to like us.
Anyone can rehearse and play constantly any song in the world.
I always place myself as the archetypal Cure fan. I'm the wrong age, but I still think that if I like anything particularly, our fans will.
Living, it's awful for me.
When we started I wasn't the singer. I was the drunk rhythm guitarist who wrote all these weird songs.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
Perhaps not as badly applied and not as obvious, but for thousands of years, people have worn makeup on stage.
Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.
If you acquiesce to one interview, there's always another waiting in the wings. Also if you're interviewed repeatedly, you just start repeating yourself. I don't like to do that.
I have never liked Morrissey, and I still don't. I think it's hilarious, actually, what things I've heard about him, what he's really like, and his public persona is so different. He's such an actor.
I'm not a morose person; it's just that my best songs reflect on the sadder aspects of life.
I'm not really obsessed with death.
I'm not going to worry about the Cure slipping down into the second division; it doesn't bother me because I never expected to be in the first division anyway.