I think touring is an important part of the life of an orchestra. Not only sharing with other audiences, but bringing that sense of family that you get back home. The sense of growing deeper into the music, of making it all sound like chamber music - that comes from being together on tour.
I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range.
I write on sacred stories, symbols and rituals of all cultures - European, American and Chinese - but my audiences, typically, like me to focus on India.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
Audiences change because life changes. Countries change geographically, climatically, socially and morally. Many things happen, and cinema, in a sense, reflects what's happening in the world.
I'm obsessed with media and the way audiences can become creative participants.
Everything about starting out in comedy is pride-swallowing, from handing out fliers to bombing in front of audiences.
What hasn't surprised me is that audiences, as we found starting with box sets, want control, to decide how they watch it. Appointment viewing is slowly being put slightly behind.
Scotland is one of my favourite places to perform: it's really something special. Scottish audiences are just so enthusiastic; their approach to dance music just feels similar to my own somehow.
When I was general director of City Opera, we were pioneers in the practice of projecting supertitles so that American audiences finally could know what all the singing was about.
We are so excited to be touring and showing audiences the versatility of the cello.
Now an audience of more than 1 billion people is only a click away from every voice online, and remarkable stories and content can gain flash audiences as people share via social networks, blogs and e-mail. This radically equalizes the power relationship between, say, a blogger and a multibillion dollar corporation.
We want to be a consolidator, not a seller, and we want to continue to explore the kind of targeted entertainment, targeted audiences, that I think are happening and emerging in every country in the world.
The most likely explanation is the most practical. 'Macbeth' is a very popular play with audiences. If you want to sell out a theater, just mount a production of 'Macbeth'. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
I think that U.K. audiences, in general, are very closed off. Very judgmental.
Since most of our films cater to crossover audiences, I think it's time we make films for multilingual viewers.
I'm not a fan of endless mystery in storytelling - I like to know where the mythology's going; I like to get there in an exciting, fast-paced way - enough that there's a really clear, aggressive direction to where it's going, to pay off mystery and reward the audiences loyalty.
The American television industry is a Darwinian environment where success is usually measured in inches, not yards. That is, for most TV media, audiences have gotten so small that one measures 'victories' in tenths of a point - as in, a 2.2 percent share is a great leap over a 2.1 percent share.
With the fragmentation of television audiences and the advent of cable and on-demand services, the prestige of being an anchor is not what it was in the days of Walter Cronkite.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.
I think New York audiences are some of the brightest in the world, and certainly the most enthusiastic.
Foreign audiences are used to seeing Mexico in other sorts of movies. 'Casi divas' is a step toward a more commercially successful cinema, without the violence, blood and exaggerations. The movie reflects a more human Mexico, while remaining a chick flick, although it is not a romantic comedy.
I detest audiences. Not in their individual components but en masse... I think they are a force of evil.
Audiences are quite happy to be astonished, and they don't care who does that astonishing.
I think that what appeals to me in my work is having the opportunity to inhabit different genres and so to reach different audiences.
In pop music, people take a stand. When you look at a Beyonce or a Kendrick Lamar, they are going to tell you what they think. And audiences totally get it. They totally love it, and they are totally hungry for it. But in our conservatory training, I think it's a little lacking.
It's Marvel movies that get the big audiences.
Chennai is the birthplace of a new language in cinema. The audiences here are the most evolved moviegoers to be found anywhere in India.
One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.
The Supreme Court is having a hard time integrating schools. What chance do I have to integrate audiences?
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
