The most important thing to me is to give something back to my parents, because they've done so much for me throughout my life.
Everybody thinks making films back to back is a big deal but they did it all the time in the old days.
I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
I'd rather trust nine people and have the 10th one stab me in the back. I'd take that fall in order to have those nine friendships or working relationships instead of having none. That's not living.
I started at Moschino Oct. 31 or Nov. 1, 2013, and now I go back and forth between Milan and Los Angeles, where I live.
I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.
You need to rebel to see the other options and to get a much richer, fuller sense of the world. And it's only once you've worked through that and seen through that that you can come back and accept who you are. You have to try all the other options.
My heritage, many generations back, is Dutch and it was fun to go where nobody asked me how to pronounce my name.
Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
Literature has been part of my life for as long as I can remember. I can't think back before a time that I didn't love writing and reading. When I was really young, my mother would read poems to me. I loved Edgar Allan Poe - I am sure I didn't understand it, but I loved it.
I wasn't expecting two seconds of me on the medal stand to go viral after the Olympics. I came back to my room after the medal ceremony, and my dad said this picture of me doing a face I don't even remember making is blowing up.
I'm not one to fall back into the corner and put my fate in someone else's hands. I tend to believe anyone in my position would do the same thing.
The constant fear of a performer is to become what is reflected back at you.
I've always felt like there are certain politicians that wear their religion on their sleeve in a way that you almost feel is disingenuous. I think that your faith has to be first personal. I struggle with those people that preach something and go back behind closed doors and live differently.
I've always felt that people put me down, and I'd fight back. I played football 15 years, and nobody gave me any credit, and they never will do.
My sister is a chiropractor and she says I have an unusually flexible lower back, but I don't do yoga, and I don't feel like I'm very bendy.
When I was younger, I played sports and went to camp. As I got older, my parents began to instill in us the importance of giving back to the community, especially those places around the world that are less fortunate than my very privileged life growing up in Los Angeles.
As soon as I started acting in England, I got unusual roles. Although I'm 6 foot six, and agents might standardly cast me in tough guy roles or the big guy in the back, I've been very blessed to do roles that makes them think twice about how they're gonna cast me.
We had a couple of films that, in the course of working on them, the budget shrank to the point where we couldn't make it. They literally ran the numbers: They took our numbers and the stars' numbers, and when they calculated whether we could make our money back or not, it said no.
I had taken on the color of the climate around me and had driven back all the emotion that rose from the Brooklyn streets so that I could belong to the exclusive club of Congress.
I see a lot of Filipino fans supporting me, so I want to give back the love.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
I am terrified of flying. I am a wreck right before I get on an airplane. That, and the ocean. I can only get in there for 10 minutes, I have this strong urge to run out and I won't go back in for the rest of the day. I've always been like that.
There's a whole apparatus for indie bands now, but back in the eighties it was just getting built. The early people really took it on the chin.
We can support Barack Obama because he's committed to putting America back to work with good jobs - and he proved it by saving the auto industry.
I cannot imagine any circumstances under which David McNarry would be back in the Ulster Unionist Assembly group of MLAs when I have control of the whip.
The idea of money being something physical is almost entirely a fiction. Sure, you can go to your ATM and pull out cash. And you can feel cash in your back pocket and have some tangible comfort there - but in reality, the majority of your money is a number on a screen.
Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
To prevent the theft of 'Ben-Hur's sets, guards were prowling the back lot long after production had been shut down.
If I were to leave and raise a venture fund, I would have to find 10 or 100 LPs. They would all give me a bunch of money, and I would take a percentage of that to pay myself. They would expect me to invest that over the next three years, and they want that money back in seven or eight years.
Sometimes I write less than I'd like but do research. Other times, editor's notes or a copy-edited manuscript or page proofs for a forthcoming novel mean that I need to put my attentions elsewhere for a day or two, but I always come back to writing.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
Although I was raised in Canada and the U.K., my roots are in Egypt through my father, in a family line that stretches back generations and runs along the Nile, from the concrete of Cairo to the coast of Alexandria.
Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.
When I look back at football, I've always said to myself, 'I'd rather leave the game and have something in my tank rather than have left all of me out on the field.'
