Our best selves tell us that 'there but for the grace of God... ' and that, in the end, there is no distance, really, between us and them. It is just us. Our best and noble hope is to imitate the God we believe in. The God who has abundant room in God's grief and heart for us all.
Reviewers have called my books 'novels in verse.' I think of them as written in prose, but I do use stanzas. Stanza means 'room' in Latin, and I wanted there to be 'room' - breathing opportunities to receive thoughts and have time to come out of them before starting again at the left margin.
If you've never seen people taking the pledge of allegiance for the first time as U.S. Citizens, it will move you: a room full of people who can really appreciate what I was lucky enough to grow up with, simply by being born in Brooklyn.
When I was a little, little kid, my family got a new washing machine, and they had a big box that was left over. So I cut a big hole in the box, and I made it like a giant TV set. I brought it into the living room, and I did the news and the weather for my family.
Having spent so much of my life with Shakespeare's world, passions and ideas in my head and in my mouth, he feels like a friend - someone who just went out of the room to get another bottle of wine.
There are confirmed stories of people who can break instruments and cause them to fail by walking in a room. I'm the opposite - I can walk into a room and something will work better than it is supposed to.
I paint a bit myself. My house in Clerkenwell has a room that is done up like a big installation.
When I go into a pitch room and I'm pitching something with a writing partner, everybody tends to look at the guy, even if I'm doing a lot of the talking.
People send me CDs all the time because I love music. It's great. I listen to them in my dressing room or in my car.
I have experienced a murderer among my friends. Many, many years ago. At close range I have seen the impact of it. I knew the victim, I went to the funeral, I have been to the house, to the specific room where the killing took place, and I was stunned by it. It's such a blow.
I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.
I was backstage at the House of Blues in L.A where I was about to perform, and Stevie Wonder and Prince turned up at my dressing room together! Stevie started beat boxing and Prince started singing one of my songs, all of a sudden it was like I was in a cypher with these incredible artists.
Normally, I just sit in my quiet little room and do the small things that bring me pleasures. I read my books, I answer email, I write a little bit.
What I learned with tech companies is I gotta give people room to experiment, and also to make what might later on be a mistake. This is the attitude I want to build within San Francisco - give some time to the tech community.
There's plenty of room for humor in politics, God knows, but it's a serious business.
There is no room on the federal bench for a judge who does not treat all people as equal before the law.
To be honest, it makes you a lot better coach when your boss is in the meeting room. You're a lot more driven every day.
Life is full and overflowing with the new. But it is necessary to empty out the old to make room for the new to enter.
I'm always thinking I'm messing up. I did a lot of classes. I can't stand being on stage or the only one talking in a room, so class really helped me deal with that. It doesn't really get any easier, but it helps you focus on the acting.
To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!
Is there a way to design a room in my house where I float around? I would quite enjoy that. It's nuts.
Back in the really olden days, dinner was seldom a ceremonial event for U.S. families. Only the very wealthy had a separate dining room. For most, meals were informal, a kind of rolling refueling; often only the men sat down.
We have all been there: we see that gorgeous person across the room, and we want to go and speak to them so badly. However, the 'rules' of society mean we usually don't end up doing it, despite our friends' best efforts to convince us to. Time for a change. Be empowered and say hi! It's proven that people really like it when you take initiative.
Frank's really different from everything I've done. Maybe the one thing that's the same, and the thing that I tend to do, is that I think I can create an intimacy with the characters, like a sense of presence with the people in the film, and that's what I tried to do in 'Room' as well.
The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
To perform in front of a room full of people you go to school with would be terrifying. I couldn't do it now.
I actually cannot stand a room without a view - I would rather have a bedroom the size of a closet with a view over a suite without one.
Creativity, for a lot of young people, is a coping mechanism. It's the only place they feel comfortable. It's the only time they feel like they're being heard or can make a difference, is if they can go into a room and do a drawing or go to a garage and play a song or retreat to this world.
When I was a kid, I loved a heavy metal band called Motley Crue. I was thirteen when they came to my city, and I called every hotel in the Yellow Pages asking for a room by the name of their manager in hopes of meeting the band. After two or three hours of calling hotels, I got through, and the manager's brother answered the phone.
The funny thing about children is that, whichever room we're in, that's where they'll be. If I'm in the bath, they'll want to be in there too, playing with the toothbrush pot or brushing my hair.
In a way, architecture is about communication. That's an aspect of the discipline that is somewhat lacking, and there's definitely room for more progression into that area. I suppose that gives me a bit of a different edge. I'm also very, very used to doing a lot of exhaustive research and finding interesting information from different sources.
Let me tell you, 10,000 is an intimate room. Believe me. I want to be able to connect to everybody in the room, and you can't with a venue any bigger than that.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
I always like to say our shows should be something that, you know, before 10 o'clock, if your kid wanders into the room, they should be able to glance at the TV, watch what's happening, but not quite know what's happening. That's always my standard.
Virginia Woolf was wrong. You do not need a room of your own to write.
As you think about developing people through their careers, you're looking for that transition from being the smartest person in the room - and caring so much about that - to being the most effective.
