Zitat des Tages über Zeitschrift / Magazine:
Writers would submit scripts to me, and if I liked one well enough to submit to magazine editors, I had the know-how whether the story was good or bad.
The truth is that a number of us have been saying for quite some time that it was only a matter of time until someone went to a gun show, bought a military-like semi-automatic assault weapon with a large capacity magazine, and did enormous damage.
The thinner a newspaper or magazine is - due to reduced revenue from advertising dollars - the less editorial content because of the standard ad-to-editorial ratio, and the less money there is to support investigative journalism.
I'm an artist and a journalist. I travel around the world very often for 'Vice Magazine,' and I draw and I write about prisons, about conflict zones.
Most of my exposure to American pop culture was through this weird prism of 'Mad' magazine.
I think in conventional magazine wisdom, you need to have a redesign every decade or so.
Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
I don't think there's a difference between writing for a newspaper or magazine and doing a chapter in a book.
I don't subscribe to the 'Doctor Who' magazine and we've only got the normal amount of 'Doctor Who' fridge magnets.
When I was a little girl, I got 'Time' magazine every week, and I wanted my face on the cover, but I've changed a lot since then.
Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen.
You can't pick up a business magazine ever without seeing the word 'collaborate' splashed all over it. I think people are probably feeling assaulted by the need to always be on and always be interacting.
There's a curiosity about what magazine editors do, the behind-the-curtain experience.
There certainly was a lot of potential in the air for doing a magazine which focused on the way business, in particular, was being transformed by the Internet.
I started writing at the age of seventeen because I had a teacher in high school who said that we had to get something accepted by a national magazine to get an A. The teacher later withdrew that threat, but the writing bug bit me.
To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.
People ask me about the decision to transition from fashion to 'Rookie' magazine. But it wasn't a decision. I was 14, and my interests were changing.
I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
Before, being a model, it was just a job, and I was making fun of it. But today, I take my career more seriously. The fact that a reader may buy an Armani item because she'd seen it on me in a magazine is very important to me. So much so that I intend to launch my own label.
I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.
A photographer without a magazine behind him is like a farmer without fields.
Tiles, the best furniture, fabrics, bath fixtures, bronze - just leaf through any design magazine and you immediately understand they're all 'Made in Italy.' We have the premier opera house in the world, La Scala, and behind the Nobel given to CERN is the research of many Italians.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
I like to style myself, as my first job out of university was working at 'Vogue' magazine in NYC, and I grew up attending the collections with my mother, so I have a particular aesthetic, which is classic glamour with a twist.
If God had meant Harvard professors to appear in People magazine, She wouldn't have invented The New York Review of Books.
Don't overpack your carry-on. You're never going to read that second book or that fourth magazine.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it.
This June, I'll travel once again to the Food and Wine Magazine Classic in Aspen, Colorado. For many years, my dear friend Julia Child and I have teamed up to teach classes together at the event; for the past seven years, my daughter, Claudine, has been my cooking partner on stage.
My greatest thrill was the day Mad magazine spoofed 'Ghost.'
Egypt, the Egypt of antiquity, at a later time, exercised a mysterious fascination over me. I recognized a picture of it immediately, without hesitation and astonishment, in an illustrated magazine.
In 1990, if I wanted a pair of Calvin Klein jeans I had seen in a magazine, I'd head to the mall, sift through piles of inventory to find my size, try them on, ask the opinion of the often inexperienced sales associate, wait in line to check out, pay, and head home. The process was linear and ripe for improvement.
To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
I don't know what it means to be a sex symbol. When I look myself on a magazine cover I don't see it as me, but as someone painted, fluffed, puffed and done up.
Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
