We all want to be affiliated with success. It's the impulse of people who have been excluded, and Koreans have been excluded from lots of parties.
I didn't want to be a big star. I wanted to be a really good actor.
The L.A. theater scene is very different. The perception has been that people who love theater do theater in New York. The people who want to be discovered do theater on the side in L.A. But there are people who are very dedicated to theater who love theater in L.A.
I don't ever want my daughter growing up questioning who she is or her choices. I want her to be a strong, happy individual.
I wasn't afraid of being poor. I didn't want to live in a big house. I'm the perfect size for poetry. I can move around.
I have so many friends who have no idea what they want to do. They are out of college and working, but not sure they are doing what they want to do, which is normal.
No, I don't want to talk about River. I have nothing to say about it that I would want to be public.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.
Technology is like water; it wants to find its level. So if you hook up your computer to a billion other computers, it just makes sense that a tremendous share of the resources you want to use - not only text or media but processing power too - will be located remotely.
I don't want to be Angelina Jolie. Not that Angelina Jolie is not the most talented, beautiful, successful, amazing, admirable person who does good things for the world, but I don't want to be a movie star like that.
I like being a consumer. I'll do collabs with brands I like, only because I would like something free to wear. But I don't want people to dress like me, which is what you're asking when you create a brand. The fashion industry's just a super-duper headache.
I will throw all my best efforts into it, my thoughts and political observations, but ultimately I want to create a narrative that keeps you turning the pages and leaves you with a sense that this thing has a reason for being there.
History shows fans want consolidation; you see it across the web every place. The big players are people like Google, Amazon, eBay, Facebook.
You know, when you first come up, and you get called up to the big leagues, all you want to do is just, you just want to have a career, a nice career. You want to make a living at it.
Understand where it is you want to go. Then picture yourself there. If you can picture yourself there, then you can be there. Bottom line.
I don't do nonfiction anymore. Eventually, you just feel constrained by the facts. You want to go where the words take you, and people's actual lives don't always conform. And you can't know them that well.
I feel I want to grow as an actress and be better. I want to progress as a singer and songwriter, and produce movies and everything. So there'll be no time when I feel I've done it all.
Reading is a free practice. I think the readers are free to begin by the books where they want to. They don't have to be led in their reading.
I think war is so incredibly backward, and I don't think it's intelligent, and it's not sane. So why would you want to support it?
I don't really believe in genres. I don't want people to have any preconceptions about me. I want the first impression to be the music.
Entrepreneurialism, to me, means being able to fail. And I believe that kind of leadership is not necessary only in business, but it's necessary for running countries, too. You've got to be able to believe in something strongly enough that you want to do it even if there's a risk of failure.
Many people worry so much about managing their careers, but rarely spend half that much energy managing their LIVES. I want to make my life, not just my job, the best it can be. The rest will work itself out.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
I mean, I am still such the-good-girl. I want everybody to like me. I want everybody to be happy.
I want to do nothing chic, I want to have ideas before beginning a piece.
I want to develop a small make-up line myself. I want to combine all the things that I love and just create them the way I want them to be.
I think that's the thing. I don't want to date a celebrity. I want to date a normal person. So I'm looking for a normal person.
I think television is a big commitment, so it has to be something that you're really excited about and something that you want to potentially commit a lot of time to.
If I am at a party, I want to be at the party. Too many photographers use the camera to avoid participating in things. They become professional observers.
I really want to do the Olympics. Obviously, I can't let things out of the bag, so to speak.
We've carried that over into the visual development as well. We've designed quite an exotic cast of characters, but the last thing we want is to dictate to the players how their PCs should look. What we want to do is inspire.
I kind of just want to look like a cool French girl in the Sixties most of the time. Or TLC.
When I make a film I'm away from home for two to three months. So I want my kids to look at my films one day and say, I love his movies, I love his choices-because he loved them.
While we believe there are fruitful opportunities to update and improve old rules, we do not want to set up a review process that could create a litigation morass.
I'd stay away from investments in a variety of sectors that are capital intensive. Anyone who says we need $100 million before we know if what we're doing makes sense and the customers want it - that's not going to work.
