I want my clients to trust me.
Some days the competition would beat me and I'd go home thinking awful thoughts, want to hide under the bed, depressed. But of course, in the news business, when you're working a daily news broadcast, you get your victories and defeats every day.
I'd fired anyone who was involved with Creed. I didn't want anything to do with the music business. The entire press and industry hated me, so what was the point?
I think some fans want everything to stay they same because they want to stay the same.
Write for yourself, not for a perceived audience. If you do, you'll mostly fall flat on your face, because it's impossible to judge what people want. And you have to read. That's how you learn what is good writing and what is bad. Then the main thing is application. It's hard work.
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
I want to go to dinner with Oprah! Who doesn't?
I don't want to do panel games or adverts. I really like challenges. I always get roles as an art teacher or a photographer. In the future I want to play something like a mugger/assassin/pastry chef.
I want to see Bob Dylan do sketch comedy. I'm a huge Bob Dylan fan.
Great music was written by the great geniuses, and you want to do it justice.
The important matter is freedom. When the people choose what they want, it is good for them and for us.
Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting.
No, I don't want you to draw any conclusion. I want you to listen to what I just said.
My parents had normal jobs, and I didn't just want to work all day, and so I thought if I could break into music I wouldn't have to work all day. And I had an uncle who was on Broadway, so I was like, 'I have to be able to sing.'
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal.
People read inevitability as entitlement, and the American people want their candidates to sweat for the job. They want them to actually make a case for the job.
I want to do everything in the world that can be done.
I think a lot of guys want a son because of all of the things they do while growing up. A lot of guys want to share those experiences with their own sons.
I just want to be a great example to younger kids.
I make movies I want to see.
I think it's an impulse for human beings to want to suffer less, and we're kind of addicted to comfort at all costs - at least, I am.
I want to thank all of the L.A. fans. You've never failed me. I live through you.
I may be the girl next door, but you wouldn't want to live next to me.
As mayor, I'm in the frying pan. I'm just sitting here on the griddle now, and I've got to really think, you know, do I want to stay here on the griddle?
Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.
Yippee! I can't believe I made it. It feels like a long haul to get here. I'm so fine with it. People want you to have some sort of breakdown, but I'm relieved to be 40 years old, and I've lived a life.
If our main goal is to connect emotionally, we should want to have as many tools as we possibly can to achieve that goal. The more abilities that we have, the more choices we can make musically.
But I can't and don't ever want to write bell-yanking confetti-tossing hat-throwing poems.
This country wants to laugh. We want to, and we need to. I'm happy to oblige.
I left 'Law and Order' because I really honestly did want to do movies and did want to be a movie star since I was a little girl.
I'll never get out of politics. I have friends in public office. I have things that I want to do. You can't go back in life. I won't go back to the existence I had before of running a political consulting firm and signing up clients and advising campaigns in exactly that way.
Some people are embarrassed to say they came from East St. Louis, Ill., but now more people want to claim it. I grew up in a community center and I knew what it gave me. I always knew I wanted to give back and help people because people helped me.
In truth, politeness is artificial good humor, it covers the natural want of it, and ends by rendering habitual a substitute nearly equivalent to the real virtue.
I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
I thought at 46 years old, I've been removed from the fashion industry for 10 years. I couldn't possibly write a model's book. That's for a 20-year-old. But I could say what I want to say without chastising the industry.
It's a marvelous feeling when someone says 'I want to do this song of yours' because they've connected to it. That's what I'm after.
