I am a fan before I am an artist. I was that twelve year old girl that looked up to Taylor Swift. I get what that role is as a fan. I think that because I know that, I'm really careful and intentional about what I say and what I put out. I want to be that role for anyone who wants me to be that.
When you're an actor or actress in this business, usually the natural progression is to direct, but a lot of times, we don't get a chance to get to it. Myself, I really want to get into it. I want to be the person who eventually doesn't have to be in front of the camera.
That's what you want art to do, to open people up and start conversations.
I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.
I think parents are probably really excited for their kids and want to give them everything. But there should be a limit on how much you give your kids. Because kids are quite creative, especially at a young age when they don't really know what rules are.
A sure way to lose happiness, I found, is to want it at the expense of everything else.
I find myself to be quite sarcastic, and I wouldn't want to be with someone who didn't get that.
I always say it's worth doing what you want to do, not letting people manipulate you. It's worth holding out. It's worth having pride.
Now it seems like people want to do damage to young celebrities. They want to find them doing bad things. They encourage them.
I think you can have your career and still bring to your family something very, very special. There are some people who are born mothers, who don't want to work and just want to stay at home, and that's fantastic, but for me it was something very difficult.
Eventually somebody will want me, and there will be a role that is mine.
This occasional sports columnist, who has been to his share of Super Bowls, had been glad to be home on Super Bowl Sunday, but the scary commercials made me want to be in the melee of the arena, where you are not aware of commercials.
It's easy to fall into a funk and not want to exercise, or to really want that second piece of chocolate cake. I have to say, I fight against those feelings all year. But I try not to let myself sit in a rut like that.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
As a head-hunter I get a lot of satisfaction from seeing my candidates do well and therefore my clients happy. I want to work with clients more as a partner than simply a head-hunter.
When you've opened your heart to a child as you have to, there's always the fear that you may discover that the child is not viable. Losing that child is not a position you want to find yourself in.
My sign is Leo. A Leo has to walk with pride. When he takes a step, he has to put his foot down. You walk into a room and you want people to know your presence, without you doing anything.
I want to thank Vox Media, The Verge, Recode, the 'Wall Street Journal,' and CNBC for giving me a voice.
It changed me more than anything else. You don't want to get to that place where you're the adult and you're palpably in the next generation. And, this shoved me into that.
When I grow up I want to be a little boy.
Friendship is inexplicable, it should not be explained if one doesn't want to kill it.
I have a dark room, and I still process film, but digital photography can be a totally lying kind of experience; you can move anything you want... the whole thing can't be trusted, really.
You can learn not to want what you want, to recognize desires but not be controlled by them.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I'm generous. I give good tips. It's just - the way I live my life, ironically enough, is: I don't want anything. I'm not a consumer. I don't crave objects.
Fear is a problem with film music and films; people want to be conventional, and there's more commercialism today. If you are not daring in your art, you're bankrupt.
It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
I want to do something where I play Judi Dench's younger sister or daughter.
If anyone comes to me, I want to lead them to Him.
This death cult has no reason and is beyond negotiation. This is what makes it so frightening. This is what causes so many to engage in a sort of mental diversion. They don't want to confront this horror. So they rush off in search of more comprehensible things to hate.
Publishers send me a lot of first novels because my first novel was the defining novel of my career, and I guess a lot of people want my benediction or something.
Stay away from restaurants that have menus in five languages. That's always a tourist trap. You want to eat where the locals eat.
We are in a bit of a policy box and it's going to require us being willing to give up one of the two, which is it's okay to take on more deficits but lets put in some massive spending. Alternatively to say, 'we're going to go through structural unemployment for a while because we want to address deficits.'
As a leader, I am tough on myself and I raise the standard for everybody; however, I am very caring because I want people to excel at what they are doing so that they can aspire to be me in the future.
That's my dream job, to be able to mail songs out to people who want to hear them. Paste my face on them and not travel all over the world trying to sell them.
I want to create a kind of new monster language for kids to play with, pick up, and incorporate into their own vocabularies.
