Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
Every person has to keep in mind that they can grow up and reach the top, no matter where they are born, whether it's in Russia, in Ukraine, in Europe; they've still got the opportunity to show their talent and the culture of their people.
I mean, The New York Times actually had an interesting case recently where they described a detainee who was afraid of the dark, and so he was purposely kept very much in the dark.
My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.
It is a peculiar part of the good photographer's adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
I'm getting more towards that point where I'm ready to kind of pass the torch on and see the next generation succeed behind me.
Where there's a will - there's a relative!
I think we're living in a world where society is very difficult.
There's a practical problem about time and energy, and a more subtle problem of what it does to a writer's head, to continually analyze why they write, where it all comes from, where it's going to.
I don't want to be known as this goody-two-shoes who can only do comedies where puppies are licking peanut butter off my face.
I was actually looking for answers where I kept asking myself - what am I doing?
It's a sad indication of where Washington has come, where policy differences almost necessarily become questions of integrity. I came to Washington in the late '70s, and people had the ability in the past to have intense policy differences but didn't feel the need to question the other person's character.
The great advantage of being in a rut is that when one is in a rut, one knows exactly where one is.
I think it's important to do smaller films because I think that's where a lot of new things are happening.
Only recently have I been introduced to the gym and heavy weightlifting and things like that. Before that, when I grew up, I just did a lot of gymnastics and dance. I had more of an athletic background, but nothing where I was in the gym or using any kind of weights.
If you're not religious, like me, how do you explain the transformational power that certain places have? They bring an incredible degree of attention to where you are and the passage of time. You're looking at every flower twitching, wondering if it's just the breeze or some magical pulse.
The growing tide of anti-Semitism shocks the conscious of everyone who values freedom, and the ugly, hateful acts particularly stain the character of democracies where liberty and religious freedom are supposed to be respected.
Obama has built his public image around his ability to bridge divisions - racial, ideological or generational. And that was his reputation, even at Harvard Law School, where he was the first black president of the 'Law Review.'
What else do you say to Medlocke, Rossington and Van Zant? We're talking Southern rock royalty. We're talking Lynyrd Skynyrd. The only thing out of my mouth was when and where!
In acting, you get to that place where it's serene, where you just feel it. I'm glad to be doing the drama because you can kind of take your time more and let a moment live more.
I'm going to make a film where not one word is really important. I'm going to make it all action.
You get tragedy where the tree, instead of bending, breaks.
You hear about these shows where there are all these women are supposedly always in a catfight, and then you find out in reality that they're all getting along fine.
I've reached a point in life where it's no longer necessary to try to impress. If they like me the way I am, that's good. If they don't, that's too bad.
My father was born in Amsterdam in a highly religious family. He was in Amsterdam, and he went into hiding right near where Anne Frank was. He was a theoretical physicist and the last Jew to get a Ph.D. in Amsterdam.
Genius... is the capacity to see ten things where the ordinary man sees one.
Be honest about how you approach failure. Don't just be critical of yourself, because that can be self-serving. Approach it honestly, assess your performance, and assess the areas where you have fallen short. Correct them and move on. Don't dwell on it. Don't hold on to it.
In the rare cases where I've had to cut a company loose, I just tell them why and wish them luck and hope they learn something from it. I don't spend more mental energy on it than I have to, and I try very hard not to hold a grudge or try to negatively affect them either. It's just done for me.
The blues is played everywhere. There's no place I've been where they don't have blues or aren't interested in blues.
You very seldom see a picture where you watch the process of falling in love.
But I notice that there is a lack of darkness in my movies and I don't know where that comes from.
I try to do a lot of research beforehand so I know where I want to go with a scene. I try not to get too stressed about it, because I find that's the worst thing.
We live in a world where there are many risks, and it's high time we start taking seriously which ones we should be worried about.
When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
There are indeed 'values' in the Harry Potter series, but they're confused with anti-values. Potterworld is a scrambled moral universe. There are Christian symbols in the series, but the author misappropriates them, mutates them, and integrates them into a supposedly larger and broader system where evil symbols are dominant.
Every generation tries to put its doctrine on a high shelf where the children can not reach it.