Sects and 'isms' have branched out in one direction and another, but still Jesus from the invisible worlds enfolds in his love all the Sons of Seth who will call upon his name by faith, and he will eventually unite the scattered churches in the Kingdom of Christ.
Traditions are imploding and exploding everywhere - everything is coming together, for better or worse, and we can no longer pretend we're all living in different worlds because we're on different continents.
In the Roman world, and in the worlds around it that Romans sought to subdue and control, the gods were merciless, frivolous, prone to set traps for humans, and largely indifferent to the unprivileged bulk of humankind, who in any case did not expect their fate in the afterworld to be any better than it had been on earth.
You are also caught with the fact that man is a creature who walks in two worlds and traces upon the walls of his cave the wonders and the nightmare experiences of his spiritual pilgrimage.
The way the Beloved can fit in my heart, two thousand lives could fit in this body of mine. One kernel could contain a thousand bushels, and a hundred worlds pass through the eye of the needle.
In the best of all possible worlds, everybody would be honorable, but that's not the way the world works. Reputations for reporters are made by discovering things underneath that rock.
I write fiction that reflects Islamic logic: fictional worlds where cause and effect are governed by Muslim rationale. However, my characters do not necessarily behave as 'good' Muslims; they are not ideals or role models.
Because we build the worlds we wouldn't mind living in. They contain scary things, problems, but also a sense of rightness that makes them alive and makes us want to live there.
In the present epoch of struggle between two worlds the two opposing and antagonistic trends penetrating the foundations of nearly all branches of biology are particularly sharply defined.
There are two worlds: the world we can measure with line and rule, and the world that we feel with our hearts and imagination.
I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
I absolutely adore writing books with paranormal elements - and I love creating the often-complex worlds and/or plots that go along with those stories - but at the heart of all of that ,you have the characters, and when you get down to the core of it, it's spending the time with the characters that is what I truly love.
Well I actually do have a country house in Connecticut with a population of 3,000. Like, how small is that? I spend a lot of time there - I write up there. So I kind of have the best of both worlds and I love going up there.
I still recommend reading travel guides as an insight to a traveller's perspective on fantasy worlds. Nearly all characters end up travelling at some point, and they have many of the same needs and concerns covered in travel guides.
I'm not very good at creating worlds. I prefer to write about the world as it is.
I don't want a tailor-made approach where the British have the best of two worlds. That will be too big an incentive for others to leave and kill the European idea, which is based on shared responsibilities.
I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.
The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
The world is the best of all possible worlds, and everything in it is a necessary evil.
Literature is always trying to show other parts of this immense universe in which we live. It's endless. I'm sure there will be other writers who will discover new worlds.
The qubit acts as a bridge between the microscopic and the macroscopic worlds.
The romantic appeal of solar sailing has ensured that its advocates consistently come from the worlds of both science fiction and science fact.
Email, instant messaging, and cell phones give us fabulous communication ability, but because we live and work in our own little worlds, that communication is totally disorganized.
Post-human intelligence will develop hypercomputers with the processing power to simulate living things - even entire worlds. Perhaps advanced beings could use hypercomputers to surpass the best 'special effects' in movies or computer games so vastly that they could simulate a world, fully, as complex as the one we perceive ourselves to be in.
Is it absurd to imagine that our social behavior, from amoeba to man, is also planned and dictated, from stored information, by the cells? And that the time has come for men to be entrusted with the task, through heroic efforts, of bringing life to other worlds?
I've made a career writing about fictitious anti-heroes. To create these worlds, I've spent a lot of time with active members on both sides of the law. And if I had to pick the most interesting of the two, the choice is obvious - we all love the guys in black.
I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.
There are no more new worlds. The unoccupied arable lands of the earth are limited, and will soon be taken.
Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
I've been fortunate to play many different types of characters thus far. However, I really enjoy playing roles that are different than who I am personally. You can have these small fantasy worlds where you can be people you would otherwise never get to be: a doctor, a lawyer, a ruthless business woman.
Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn't otherwise be engaged - in essence, not preaching to the choir.
I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
I discovered that the people of the North are different and there's no way you can make a person from the North similar to a Southerner. They're two different worlds.
Why I came here, I know not; where I shall go it is useless to inquire - in the midst of myriads of the living and the dead worlds, stars, systems, infinity, why should I be anxious about an atom?
I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.
