If physical power be the fountain of law, then law and force are synonymous terms. Or, perhaps, rather, law would be the result of a combination of will and force; of will, united with a physical power sufficient to compel obedience to it, but not necessarily having any moral character whatever.
At the end of the day, the job is to tell the story that you promised to tell and do it in the most entertaining and perhaps surprising way you can think of.
I think, most of us, when we look back over our lives, see perhaps moments when everything was dangerous and precarious. We're making all these mistakes, and yet somehow we make it through. It's the making it through that that interests me. To go through the valley of trouble and come out the other side. That's what we all have to do.
I'm more frightened than interested by artificial intelligence - in fact, perhaps fright and interest are not far away from one another. Things can become real in your mind, you can be tricked, and you believe things you wouldn't ordinarily. A world run by automatons doesn't seem completely unrealistic any more. It's a bit chilling.
Perhaps it would be better not to be a writer, but if you must, then write.
We are very lucky to work in fashion and not work in a hospital or something where the biggest deal we come across is perhaps the length of a skirt.
I'm a very serious guy. I try to counter that predisposition of being a serious person with all this tomfoolery that I love to do so much. I really enjoy it; that's why I do it. I don't like the way I am... perhaps my natural default is to be that way, and I don't like that.
I believe that some of us who were kept by God a long while before we found Him love Him better perhaps than we should have done if we had received Him directly, and we can preach better to others - we can speak more of His loving-kindness and tender mercy.
I think that it's perhaps harder to learn from victory than it is from defeat. I think that we don't want defeat. We don't want defeat in sport. We don't want defeat in life. How are we going to be beaten? All right. We have to deal with those things. What's going to cause us to lose the game, whatever the game might be?
I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.
Americans have a profound longing for heroes - now perhaps more than ever. We need our explorers, our sports icons, our Medal of Freedom winners, our Nobel laureates. We need our Greatest Generation warriors, our 'Sully' Sullenbergers, our Neil Armstrongs. On some level, we still subscribe to the myth of the man in the white hat.
Why don't men like to stop and ask directions? This question, which I first addressed in my 1990 book 'You Just Don't Understand: Women and Men in Conversation', garnered perhaps the most attention of any issue or insight in that book.
For me, when I 'discover' a story, there is a feeling of buoyancy and clarity, perhaps similar to early morning out on a prairie highway, when darkness lifts and reveals the outline of farmhouses and copses of trees in the distance.
Perhaps the most mysterious of all mammals is the male Homo sapiens. Indeed, many anthropologists classify the group as a subspecies.
From a dramatic viewpoint, there are few professions that grant their members entry into other lives, high among them cops, doctors, clergymen, journalists and prostitutes. Perhaps that explains why they figure in so much television and cinema. Their lives are lived in the midst of human drama.
While Person A might believe the kitchen counter provides a reasonable surface on which to place one's balled-up sweatsocks post-gym, Person B - about to cut up some vegetables on that same counter, perhaps for a meal intended to be shared with Person A - can only read the sockball as a message that says, 'Hi! I have contempt for you!'
I believe, and this is perhaps too nationalistic a view, that the American style of acting puts actors quickly in touch with each other, so that their continuous presence in a company, as in England, is not absolutely necessary.
I know it's fashionable to blame your childhood for everything nowadays - thank you, Freud. The thing is, though, I really don't feel scarred by mine. But perhaps if I'd been in therapy for 10 years, and you were able to read the records, you'd disagree.
