'For Unlawful Carnal Knowledge' took a year to record; that's why the playing on it might sound somewhat labored. 'Balance,' on the other hand, was written and recorded in only four months, so the whole process was quicker and more immediate.
When I started out, I wrote the songs, recorded the songs, mastered, mixed, did the artwork, made the packaging and did the distribution, all myself. Now I understand what everyone's jobs are, who is doing them right, and who isn't.
Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.
If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.
For all of higher civilization's recorded history, becoming a man was defined overwhelmingly as taking responsibility for a family.
I taught myself how to use a multi-track tape recorder, which was the first time I recorded myself.
There are so many reasons to mark the passing of the great Joe Cocker - as many songs as he wrote, recorded and performed in his remarkable concerts. For me, Cocker was also the only performer who successfully covered and even improved on The Beatles.
What was very interesting to me about Clementine Hunter's work is that she couldn't read or write, and she has recorded history of the plantation life and the southern part of the U.S. - the cotton harvests, pecan picking, washing clothes, funerals, marriages - in pictures.
When I was a kid, there was so much talent outside of recorded music.
'Unknown Pleasures' is a very important record for me. It was the first LP that I recorded.
In Jamaica, the music is recorded for the sound system, not the iPod. It's about experiencing music together, with other people.
There are so little outtakes from the Joy Division era. We didn't have much money. You couldn't be very generous in recording, so we were very thrifty in how we recorded. Everything was very, very well looked after financially because we just couldn't afford it.
The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.
Imagine how many people would not vote if they knew they were being recorded while they voted.
My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
I believe it's possible to have hit songs and popular music that's recorded by human beings.
Remember that a noble logical diagram, once recorded, will never die; long after we are gone, it will be a living thing, asserting itself with ever-growing insistency.
What happens if you are the last (the very, very last) of your species, and you die - and humans notice? We live, increasingly, at a time when extinctions are recorded, remembered, and the last animal (or plant) in its line, by virtue of its being last, becomes a kind of celebrity. Its finality becomes a thing to honor.
My wife even thinks our next album should be recorded in our house, and we should move all the furniture out to the garage. I'm not sure how many spouses would be supportive of that, much less come up with the idea.
'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies - they said they didn't get me, which is fine, I suppose.
'Been That Way' is a song that Timbaland gave me. Actually, the beat is. And then he called me to come out there to Miami. I went out there to work with him, and he gave me two beats for my project. One was 'Sorry Not Sorry,' and the other one was 'Been That Way,' and I recorded both of them in my hotel.
Since you knew they was goin' to cheat you anyway, I recorded under any name with all of 'em.
'Rolling Stone,' my first single, was only a hit in Portugal, but when we recorded my second single, 'Can The Can,' I got that hair-on-the-back-of-the-neck feeling, and I knew it would be huge. It topped the charts in the U.K. and Australia in 1973, and I got my first gold disc.
It might help to know that in Afghanistan citizenship papers and birth certificates and the official registration of births and deaths are the exotica of faraway places. One is born 'in the time of the pomegranate harvest' or some such thing or one's birthdate is recorded as the first day of the year if you are even aware of the year you were born.
I do not concern myself much with reading long commentary volumes designed to enlarge at length upon that which is found in the scriptures. Rather, I prefer to dwell with the source, tasting of the unadulterated waters of the fountain of truth - the word of God as he gave it and as it has been recorded in the books we accept as scripture.
I believe my songs are strong enough to stand on their own - even way back then when they were recorded badly and minimally.
I love to sing, and I've recorded a few covers and originals with friends, but I haven't written any songs.
The glorified will not be pilgrims, transient visitors, or tenants at will, but settled, permanent, walled, established by title, through eternity by warrantee deed, signed, sealed, recorded, possession given. No renters, no lessees of Heaven, but all property and home owners.
This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.
Everyone has a smart phone, and everything is recorded. One event spills into another. Conclusions come quickly at the near total expense of consideration of what just actually happened.
Of course, 'I Will Always Love You' is the biggest song so far in my career. I'm famous for several, but that one has been recorded by more people and made me more money, I think, than all of them. But that song did come from a true and deep place in my heart.
We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.
We took up the offer with the BBC, and that was Monty Python's Flying Circus. I didn't have to submit my ideas to the group. I used to turn up on the days we recorded with a can of film under my arm, and in it went.
Sometimes I play something, and I haven't recorded it, and I don't know where it came from, why my hands did what they did, what key it was in, anything.