I never sell a book. I sell myself. And the way to sell yourself is to be an instrument of love.
The record business has always mystified me. Sometimes there are reasons why things sell or don't sell that can't be understood by mere mortals.
I sell a lot of ebooks from my website and encourage authors to set up their own stores.
I want to get to the point where one day I don't have to have anything but a rug and a microphone stand on stage and still be able to sell out places like Madison Square Garden, like Bruce Springsteen does.
I don't want to try to sell myself or portray something that I'm not.
Demagoguery sells. And therefore radio stations will put it on. But that doesn't mean that you can't do something else and also make it sell. You know, when I look at an Ann Coulter or I look at a Rush or I look at a Sean Hannity, I think to myself, 'What kind of self-image do you have?'
If you build a car, you can only sell it once. If you paint a fence, you only get paid for it once. If you create a piece of software that's essentially free to reproduce, you can keep getting paid over and over perpetually.
Everything that works in sales has been done already. Just keep track of the crap that you buy, or the awesome stuff that you buy, and decide what was the trigger, and then just sell to people like you. It's really that easy - and that's what I do.
I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me.
Gerry Schoenfeld told me 'Les Parents Terribles' was not going to sell, even though we had Kathleen Turner and Jude Law in the cast. So we called it 'Indiscretions.'
I have the largest collection of Hulk memorabilia in the world - everything from toilet paper, wallpaper, bicycles - all boxed up at my house in Northern California. I've had it for so long, I think it might be time to sell it.
What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
The goal of any farmer, after producing enough to feed his own family, has always been to find the best place to sell the year's crop.
I think it's always hard to find great roles, no matter what age you are. So I always say to people, 'You have to remember that Hollywood is in the business of making movies that they can sell tickets to; they're not in the business of finding great roles for actors.'
I just have friends that don't sell their pictures to newspapers.
People have always asked me, 'Haven't you wanted to sell out?', and it's like, who am I going to sell to?
My mom and I would make bracelets and necklaces, and I would sell it in the first, second, and third grades because that was my lunch money.
If I can sell out clubs and theaters and play dirtbags in movies, and get blown up in a car or get the crap beat out of me in a movie, that's good for me; I'm good.
I think I've done a pretty fantastic job, but of course I want to sell millions of records.
I was reading a magazine when I was a little kid, probably about twelve years old, and an ad said that if you sell so many jars of Noxzema skin cream, we'll sell you a ukulele. So I went out and banged on doors in the snow in Quincy, Massachusetts, where I was raised, and I sold the skin cream.
