Sometimes I will tweet an interview I have coming up and ask my followers what questions they have for the celebrity. I feel that way I can really know first hand what people want to hear answered.
Online is such a brilliant, brilliant way to connect with young readers - even if they just want to tweet, 'Hey, I read your book!' - that, absolutely, I connect with that. But I also treat writing as solitary and keep it to myself as long as I can.
I tweet from bed. I love it because it's so quick. And it's funny. But it also leaves a lot of room for error because new people don't sense the sarcasm - there's no sarcasm font.
Donald Trump does not touch alcohol, which is really respectable. But think about that. That means every statement, every interview, every tweet - completely sober.
My office is on Twitter. I don't tweet myself - at least, not intentionally, but I probably should do.
Essentially, you become a top tweet because so many people are engaging with that tweet. They're either retweeting it, or they're favoriting it; they're doing one of many things to indicate to us that that tweet is interesting and engaging to users.
Basically, I don't like to tweet stuff about my life. I only like to tweet jokes.
Somebody with a billion followers can tweet, 'See my movie,' and it can still tank. Followers don't always translate into success because I think people are too savvy. When something takes off, it's because people are connecting to it - not because someone with a lot of followers says to care about it.
The reason I don't tweet as much as I used to, is because I'm sick of all the useless opinions and hate that I get daily. Goodbye Twitter.
So I have people who tweet and ask me, 'You can't be this happy all the time. You can't be this cheerful.' Well, yes I am. From where I've come from and my family and what I see as real struggles in day to day life, through my reporting. I'm never going to look at challenges.
Social media is a giant distraction to the ultimate aim, which is honing your craft as a songwriter. There are people who are exceptional at it, however, and if you can do both things, then that's fantastic, but if you are a writer, the time is better spent on a clever lyric than a clever tweet.
My fans are crazy, but in a good way. Very supportive, and some tweet me more like a 100 times a day. As for tour tales, I have a saying: 'What happens on tour stays on tour.'
If an artist can take two minutes to tweet a fan and make his or her day, why wouldn't they take advantage of that?
I tweet early in the morning when I wake up or late at night just to let you know that I have a show or what's on my mind, and that's it. I hate Snapchat and all of that. It's making kids so stupid.
I don't tweet, Twitter, email, Facebook, look book, no kind of book. I have a land line phone at my home - that's the only phone I have. If my phone rang every day like everyone else around me, I would lose my mind.
My first tweet was at the CMT Awards when I won an award and typed, 'Thank you.' Then I was hooked because the followers started multiplying. It's a great tool.
There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
It's not for everybody to tweet, it's for everybody to follow. The more people figure that out, they see it's RSS-plus. It's literally the place you check for information.
If you tweet for me, I'll tweet for you.
I don't Tweet a lot because I've Tweeted things that I thought were really innocuous about subjects that are inflammatory, and the response is so insane sometimes from people.
I'm a 24-hour tweet machine, I'm a 24-hour blogger. When there's no pressure on me, I can talk and write and lecture with the best of them. But put a deadline on me and I start getting writer's block.
I'm a very private person, so I didn't like this idea of tweeting about me. And then I realized, 'Oh, this is actually a brilliant device in terms of interacting with the fans'. It's a lovely way to just get back, to thank the fans for watching the show. And to live tweet is kind of like getting the rewards of doing live theatre.
I have a certain manner of speech that is unique to me. I tried once to have my staff tweet for me, and it was a disaster! People knew right away that it wasn't me.
I'm actually on the Twitter like all those crazy young kids are, and if I'm going to do an in-store appearance or I post something on my website, I tweet these followers, a word I don't like so much, and over 50,000 people go, like, 'Okay, I got it.'
When I tweet, I try and accomplish three things. One, is to make you laugh. Two, is to inform you. Three, is to enlighten you. That's all I do.
A lot of the stuff I tweet is out of childlike curiosity.
When CNN does a story and then says, 'Tweet us what you think' - why? Why does it matter what I think? Why should my thoughts be broadcast on a national news program? It's enough for me to just sit and listen and learn.
What's the good of Twitter if you can't tweet cute... Twitter's so silly. I tweet about my rabbit a lot.
Of course, I tweet. Tweeting is a very personal form of expression. Who else could talk about my son refusing to wear a suit to meet the Pope, my husband flying a helicopter, or take a twitpic from our home?
I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.
I'm naturally shy, so the social media thing is new to me. I haven't really figured out how my voice sounds on social media, you know? I don't want to tweet everyday just for the sake of tweeting. I want to make sure whatever I do there is honest. Social media can very quickly get fake, and I don't want to be that guy.
The promoted tweet is a real tweet that a company may have sent out that they want more distribution for. They will buy key words for it. If people are looking for something related, it will show up.
The reason it's hard for me to tweet is I don't want to pronounce anything, and Twitter is for pronouncing.
In our quest to tweet, like, and trend, we have forgotten that brands can be built through advertising. Ads can generate big ideas that can never be trumped by tactics. That is the magic of an ad, and that is what is missing from many ads today.
I never thought I would tweet - I thought it was too dangerous.
Each new generation builds on the work of the previous one, gaining new perspective. New verbs are introduced. We Google strange and dangerous places. We tweet mindlessly to the cosmos. We Facebook our own grandmothers. I, for one, don't want to be left behind.