Zitat des Tages über Tschechow / Chekhov:
I did a film called 'Days and Nights,' which is a modern-day retelling of and inspired by Chekhov's 'The Seagull.'
One of my favorite writers is Chekhov. I love his attitude toward the world. Just accept things for what they are. Don't judge. Be moral as you tell your story, but have no moral at the end. Just look at it.
I wasn't a 'Star Trek' fan, yet I knew who all the characters were. that goes to show what an impact the show had not just in entertainment but in life. I knew who Chekhov was and I knew who Kirk and Spock were, although I probably had never seen the show.
There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
No author has created with less emphasis such pathetic characters as Chekhov has.
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!
I did Chekhov's 'Three Sisters' once. Two months in, I remember going, 'Human beings shouldn't be forced to do or watch this play every night.' It's so dark and so bottomless.
I love Chekhov. I could go on all day about him.
I've gained a lot from James Joyce, Tolstoy, Chekhov and R. K. Narayan. While writing, I try to see if the story is going to radiate spokes. Their literature has always done that and gifted me beautiful things.
I love playing Chekhov. That's the hardest; that's why I love it most.
Chekhov - shall I be blunt? - is the greatest short story writer who ever lived.
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but what it is to be a playwright, to be interacting with human beings in the live theater and affect people on such a direct, emotional level.
When you read Chekhov, everything has an even gray tone. When you read 'Family Life', everything has an even white tone. It is almost like when you paint on paper, and you can see the paper through the paint.
Chekhov understood that people are mysterious and can't be reduced to what we nowadays call 'motivation.'
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
I played Hamlet, I played Chekhov and Ibsen and all the classics.
My favorite author is Anton Chekhov, not so much for the plays but for his short stories, and I think he was really my tutor.
An abiding preoccupation for me is how much of our lives are invisible and unknown by other people, like the Chekhov story 'The Lady With the Little Dog.'
I'm into parlor dramas. I'm into theatre. I'm trained for the stage. I trained to do Chekhov and Shakespeare, I was trained for the stage.
I went to a Chekhov play with my grandmother, and at the end, I was talking about how the first act was so boring. And my grandmother didn't see that at all. I realized it was because I need, like, the constant images changing. I wrote a paper about this.
Very often in Chekhov, where he exhibits a little bit of human behavior that you recognize as true, you give a little laugh. It's like a reflex.
Chekhov was capable of casually tossing off deplorable comments in his letters, combined with a very modern anger against anti-Semitism.
Christopher Knowles, Buechner, Heiner Mueller, Burroughs, Chekhov, Shakespeare - it's all one body of work.
In my family, there was no celebration of ignorance. They'd come and see Chekhov or Shakespeare. I've got a sister who got a first in her degree. We don't sit around watching TV all the time.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
English country life is more like Chekhov than 'The Archers' or Thomas Hardy or even the Updike ethic with which it is sometimes compared.
I don't read many popular histories like the ones I write. The building blocks for my research are scholarly monographs, and the inspiration for my storytelling style are folks like Chekhov.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
Actors are hard to photograph because they never want to reveal who they are. You don't know if you're getting a character from a Chekhov play or a Polanski film. It depends what mood they're in.
Unless you're doing Shakespeare or Chekhov... the written word is not sacrosanct.
I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.