Zitat des Tages von Jane Gardam:
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
I just knew I would be a writer. It just seemed the only sensible thing to do.
I longed from a tiny child to get away on my own. When I was five, I walked out along the sands from Redcar, nearly all the way to Hartlepool.
Mum was a tremendous Anglo-Catholic. Very impressive, actually. She made me go to church for years - I still don't want to because of that.
I think the most dangerous influence for a young writer is to be treated with cynicism or discouragement.
I started to write as a child as soon as I could read, or even before, when my mother read me Beatrix Potter at bedtime. Writing seemed to me to be the only sensible way to live and be happy.
I hate the idea of sequels. I think you should be able to do it in one book.
Only a great genius like the Victorian novelist Elizabeth Gaskell can be mother, wife and novelist without solitude. I couldn't write until my youngest child went to school, and then I began - the first morning - and I've never stopped.
I was nearly 40 when I started. I had no fear that I wasn't going to write. I knew it was just delayed. Then, my goodness, I never stopped.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
When I was young and the empire was beginning to disintegrate, the idea was absolutely unbelievable, particularly to children who'd been taught that the sun never set... that's what all my books are about, the end of empire.
English country life is more like Chekhov than 'The Archers' or Thomas Hardy or even the Updike ethic with which it is sometimes compared.
