I do like reality shows, and I watch some of them because they're high drama. It's also just fun to watch people have honest reactions.
Naivete is the real reason I applied to Juilliard. I wanted to study drama and not musical theater because I have a hard time dancing. I only applied there.
I had done plays in high school. It was something I always wanted to do since I was little. I was a drama major at UC-Irvine.
I love going back and forth from drama to comedy. I love switching it around and showing people that I can do both.
I am a fan of all genres. My big thing is to serve the purpose of the script and what the director wants. If it's a comedy, I want to be funny; if it's action, I want to bring the action. If it's drama, I want to be the catalyst for that drama. That's the fun part; it never gets boring being an actor.
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.
Action is drama. If we cannot make the audience laugh, smile or cry with us, we are not actors.
Growing up, I loved drama and fantasies. I hated the Marx Brothers. I took all that confusion seriously.
My father Bill had a problem with Christmas. Although he appears in old photographs to possess a whippy, muscular frame, he was actually a frail man and usually managed to cause some kind of drama just before the festivities began.
I applied to the Guildhall School of Music and Drama in London and didn't get in the first year, so I worked at Costa and the Dean Gallery Cafe then applied again and got in the next year when I was 18. I was so excited.
In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self-respect.
I came up through the theater. I came out of drama college and started working in the professional theater.
I was a huge movie watcher, but I really loved 'Kenan & Kel,' 'Rugrats,' 'Doug,' & 'Catdog.' I was also into drama films, though, and I really loved 'Poetic Justice' and 'Set it Off.'
The 'Dead' films allow me to talk about things that a drama, say, won't. 'Dawn Of The Dead,' which was set in a shopping mall, is on one level about consumerism; 'Land Of The Dead' is a response to Bush.
We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.
My next step must be to go to drama school. Well, I get into drama school, so I did that.
In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.
I did tap dancing and stuff like that at drama school. I did ballet as well. My dance teacher and I didn't necessarily get along all that well sometimes. She's brilliant... but it's just because I don't like wearing tights that I put up a bit of a fight there, I think.
Drama happens in big cricket matches. But also in small cricket matches.
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
If you try to bring 'teen drama,' you end up doing nothing but pouting.
The existing documentary makers still believe that it is impossible to produce drama material in this State, otherwise they would be doing it, they say.
Most drama in our lives is really rather squalid.
Comedy and drama are both challenging to me.
I was a drama major also so it's cool to cuss for meaning, but for no apparent reason, no.
I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
I like a drama.
I danced from the age of three, so I was always going to do something performance-related. I got into the Television Workshop drama group in Nottingham when I was 11 and went there for ten years.
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
I really care more about the human drama than I do the thriller stuff.
Drama is action, sir, action and not confounded philosophy.
In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top.
It's always been fun for me to play somebody else. I did drama class when I was younger. It kind of just happened. I never said, 'I want to act.' I just auditioned for the role, I got it. I was blessed with this opportunity to be in 'Earth to Echo.' It's fun for me; it's cool to do.
'Days' has always been strong as an icon in TV history, and it's still going on strong and represents the genre of daytime drama so well. I'm proud to be a part of it.
