I definitely check my phone for texts a lot - like, 'Did anyone text me? Is anyone thinking about me? Does anyone love me?'
Although I was really interested in physics, I think I wanted to do it because I thought it was really hard. I did theoretical physics.
The southern colonists were not preoccupied with their own historical significance and mostly did not bother even to make the records of births, marriages, and deaths that they required of themselves by law. Nor did they write accounts of what they were up to for the benefit of posterity.
I did get to hang out with my dad for a little while. I went with him to summer stock. I watched him be a real king of the world. He'd ship out as a star in summer stock. He sometimes directed the shows. I learned a lot from him - not just about acting, but about everything, how to handle a woman.
I didn't even have that many close LGBT friends or anything like that, but I suppose it was growing up and becoming aware of how you are in a cultural landscape that is blatantly homophobic... you turn around and say, 'Why did I grow up in a homophobic place? Why did I grow up in a misogynistic place?'
I did not go into the film business to be symbolized as someone else's vision of me.
If he'd been negotiating Obamacare, Lincoln would have made the infamous 'Cornhusker Kickback' deal - $100 million in Medicaid funds for Nebraska to secure a Senator's vote - in a heartbeat, even if the press howled as it did when Barack Obama agreed to it, forcing its cancellation.
Any time I was at Trader Joes, and the person bagging my stuff would be like, 'Did I go to college with you? How do I know you?' Then it took awhile, and suddenly people were like, 'Oh, you are the girl from 'United States of Tara.'
I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
Every once in a while, we'd ask my dad if we could get a ride in one of these planes. And, he did take us to the flying club and get us a ride in the Pushpak and a glider that the flying club had.
The deeper I go into mythology, the more I find. I originally did five 'Percy Jackson' books. I thought that would cover Greek mythology and I couldn't have been more wrong. It's ever-expanding.
Only in about 2007 or so did it become clear to me that games could stand proudly beside other storytelling mediums, and that's when I became more, shall we say, evangelistic in my position. Prior to that, I don't know how enthusiastically I would have admitted that I game.
It will not do to say that international law is the enemy of the Jewish people, since the Jewish people surely did not as a whole oppose the Nuremburg trials, or the development of human rights law.
I didn't want the children to grow up and, when asked what their mother did, say, 'Oh, Mom's a gun moll in the movies.'
I did a picture 40 years ago with Carroll O'Connor and Telly Savalas, God rest their souls, and Clint Eastwood, called 'Kelly's Heroes,' which we filmed in Yugoslavia for six months.
When we started Appaloosa, we were going to name it Pegasus because everyone was using Greek names. We filed the name. We paid $300, and they said you cannot use it because it is taken. Pegasus Funds. Then we said Pegasus is kind of a horse. We did not want to be the Unicorn Fund. So we pulled out a horse book.
I've met many, many writers who say they would never write about their family, never write about people they did not totally make up. But that is not the composition of my character.
One of the greatest compliments you can ever get is when you make fun of a certain sect of people and they are laughing the hardest. When we did 'Men on Film' on 'In Living Color,' gay men wrote in how much they loved it.
I went to the Brit School for the performing arts in Croydon at 14, picking music as my main subject, and I'm so glad I did. I knew lots of people who'd gone there, so I always had my mind set on it.
You can't live your life blaming your failures on your parents and what they did or didn't do for you. You're dealt the cards that you're dealt. I realised it was a waste of time to be angry at my parents and feel sorry for myself.
Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.
I knew the story of 'War Horse' very well. I had read the book even before I did the auditions. I'm a big fan of Michael Morpurgo.
At the very beginning, being a parent did impact how I go about this business.
Sure, I like my short hair. It also quadrupled my rate. I did get sick of seeing it on everybody, though - every stewardess, every salesclerk, and in every restaurant.
There are some cities that I did take time out to study, 'cause I love history and one of them was Boston, and of course Rome and all of those places like that. But, in Syracuse or Rochester, or any of those places, no.
When you're in a public profession like I was, and you stop doing it like I did, people think you're either crazy or dead.
It took less time to build 'Instagram' than it did for me to get my work visa. The app was an instant hit, and Facebook agreed to acquire the startup for about $1 billion in April 2012.
I took about four or five years of French in high school, but I definitely don't speak French as well as I thought I did then.
I do business in 170 countries; none of them is perfect. There is not even one country that I think of, and I am like, 'God, that did everything that I wanted it to do.'
A lot of folks I mentor ask me, 'How did you get there?' I tell them, you never plan on it. Do a good job and treat customers well, do the right things for the right reasons. Prepare yourself, but don't spend all your time worrying about it. Just do your job, and you'll be recognized for it.
When I did 'Thoroughly Modern Millie,' it was almost every 'first' I could have imagined: I dreamt someday being on Broadway, and then dreamt someday playing a lead on Broadway, and then dreamt someday of getting to originate a role, and then getting a Tony nomination. It all happened at once. I was just terrified.
I hope I did it the way my peers did it before me. I didn't do anything but try to play hard.
When I was a lot younger, I did some work with St. Jude's, but then we went on a 'Red Band' tour across the United States, and we went to a bunch of hospitals and had the privilege of meeting kids who are suffering or going through these different situations.
I didn't set out wanting to be an actress. That's not what I did. I didn't go to class striving to become an actress. I just basically - honestly, I didn't have anything else going.
Rawn did her own thing in her own way. She cast the female gaze on a genre heavy with all-male quest fellowships, trophy females, and the occasional Smurfette. Her world was male-dominated and highly patriarchal, but she populated it with notable numbers of well-drawn female characters.
