I want to make music that will make the blood surge in your veins, music that will get people up and dance.
My sound definitely pays a lot of homage to the Nineties, but not just the dance music. There's also breakbeats, R&B, the big ballads. It's that whole era infused with very modern sounds.
Let us keep the dance of rain our fathers kept and tread our dreams beneath the jungle sky.
I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
Work like you don't need the money. Love like you've never been hurt. Dance like nobody's watching.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
If I had a rain prayer or a rain dance I could do, I would do it.
Only recently have I been introduced to the gym and heavy weightlifting and things like that. Before that, when I grew up, I just did a lot of gymnastics and dance. I had more of an athletic background, but nothing where I was in the gym or using any kind of weights.
I was the first person in my family who was ever interested in dance, or fine art of any kind for that matter - I came from a very humble beginning in San Pedro, California.
The world would be a better place if everyone learned to dance.
I love to dance so much. It's one of my guilty pleasures in life and my hobby.
Never stop moving, or you'll stop moving. I go to dance class every morning, and it's just good to stay strong; I like being healthy.
The only way to make sense out of change is to plunge into it, move with it, and join the dance.
After the horse dance was over, it seemed that I was above the ground and did not touch it when I walked.
Dance has always been the center of who I am. It has given me the inspiration to help other people find a hobby, passion, and activity that fulfills them. It also taught me some of the many skills I need as an entrepreneur: a hard work ethic that takes practice to master and the confidence to persevere through any challenges.
You're being cast for your acting ability. It's not based on the way your body functions. If you're playing a lead in a movie, it's for that character and they'll tailor it to you. In a dance company, you have to fit in a definite mold.
Every music - except dance music, which is for dancing, I suppose - is for the spirit of the human being, and not for the body.
When I was younger, I was one of the few girls in the neighborhood who could break dance. That's kind of my local, ghetto-celebrity claim to fame.
In the dance world, you have to have a certain muscular shape; you have to have long limbs and willowy shoulders. It's hard to have breasts.
I still dance, probably three times a week, unless I'm working on a crazy job, and then I just don't have any free time at all.
If you love dance and you have the gift of teaching, teaching is super amazing and important because my teachers planted that seed in me. As a teacher you understand the difference or the definition of a Baryshnikov or a Gregory Hines, so teaching is really important and very necessary.
When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.
Although I didn't set out to run my own label, I found it made sense quite quickly. I can say what I want and dance to my own tune, even if sometimes it's like nobody is listening. The trade-off is you stay 'cult' and resign yourself to a very modest level of what most people would call success.
I'll dance to anything: Bob Marley or rap.
You remember that my great vision came to me when I was only nine years old, and you have seen that I was not much good for anything until after I had performed the horse dance near the mouth of the Tongue River during my eighteenth summer.
What I've always loved about gymnastics and one of the many reasons I love watching it now is the combination of skill and freedom it has - the discipline and expression - letting you dance.
I was into opera as a kid - I'd play 'Carmen' and sing and dance. My mom signed me up for a theater group before preschool, and I never looked back.
I learned to love dance for its own sake.
During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ass followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.
I dance to the beat of a different drummer.
I always wanted to experience what performance would be like without the fourth wall, so I formed a company in Australia, and we did avant-garde theater, playing with gender norms, conversations about race - we just had a box of issues that we wanted to subvert with our stories, with dance.
I'm so happy to be able to give kids the opportunity to learn about amazing world of dance and music that I've have been lucky enough to make such a big part of my own life.
Because it's dance music, you can't really have a lot of changing in there. It's really not for me because there's too much repetition. I like more diversity.
Dance music is Madonna's base. It's what she likes, it's what she listens to. It's not anything other than that. She doesn't read what's on the charts. And if it's on time, great. This is who she is.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
Growing up, my sisters were both into dancing, so I went to a lot of dance recitals, mostly because there were always pretty girls in leotards.
