In bed at night, I could be reading some book, and I'll come across a sentence that's totally unrelated to some scene I did years ago. But I'll play the scene back in my mind and think, I did that wrong - I should've opened the door more slowly.
One cool thing is because Mom and Dad aren't into the Hollywood scene, they don't read 'US Weekly' or anything like that. They give me space. They don't care. They just want all of their children to be doing something that they love to do and be able to pay their insurance.
The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.
I don't believe in myths of decline or myths of progress, even as regards the literary scene.
I've always felt that I was a bit of an outsider to the British children's-book illustration scene, because I don't work in line and wash.
We have so much pride in welcoming these passengers onto the plane, and they have so much pride in travel. It's something that I definitely always remember, when I'm playing a scene on the plane, just to imbue everything with that sense of excitement.
I care less if I can't be part of your scene because I am the scene. I am everything that is.
I do not want to admit to the world that I can be a bad person. It is just that I don't want anyone to have false expectations. Moviemaking is a harsh, volatile business, and unless you can be ruthless, too, there's a good chance that you are going to disappear off the scene pretty quickly.
The option of solicitor advocacy came on the scene a bit too late for me.
When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
The scene where I took my eyelashes off we did in two takes.
I found it more challenging to act in a small scene, especially if it has no dialogue and if it is a close-up with only expressions.
I didn't get to go to prom; I was filming a death scene on my prom night. But I got to go to all the homecomings, and even the winter formals I got to go to, but the only thing I missed was the prom, but everything else was great.
But I did that, and I created another blues scene, another something I can sing about.
When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.
I chose not to go home and struggle with the New York scene. My size sort of locked me out. I was too short for the stage. I would have been doing character roles, so I went to Los Angeles. There is a lot more happening out there. I also felt it was important to break away from my family.
Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
There's a view of Montana writing that seems stage-managed by the Chamber of Commerce - it's all about writers like A. B. Guthrie and Ivan Doig. It used to bother me that nobody had a scene where somebody was delivering a pizza.
Also there is a twist to the story as I'm being haunted and driven crazy, attacked and so on. All I seem to do is run and scream and cry in every scene.
Contrary to slanderous Eastern opinion, much of Iowa is not flat, but rolling hills country with a lot of timber, a handsome and imaginative landscape, crowded with constant small changes of scene and full of little creeks winding with pools where shiners, crappies and catfish hover.
In rare instances you have to give up what you thought was a great scene.
I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.
I have a trainer that I box with. Luckily, on ER, they'll tell me if I have a shirtless scene coming up and I'll have a few weeks to power it out.
I think I tried on the hardcore scene's outfits maybe once, and then I just figured I'd stick to Hawaiian shirts.
When I hit the scene, there was Billy Connolly and Max Boyce. It was all mother-in-law and Irish jokes, and we broke the mould. Now there are thousands of comedians out there, and I don't think I can be above it all.
The real intimidating stuff is the scene where you show up for the first day. You kind of square off, and that is where you look each other in the eye.
If I talk to a girl, it's assumed that I'm having a scene with her. If I don't, then it's assumed that I'm gay.
When you're working with a big star, you always wonder what it's going to be like. Hugh Jackman puts you at ease within 10 minutes. He has such a wonderful energy and is so generous when you're doing a scene. He's just so funny and friendly and playful - he instantly becomes your friend.
The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
What would life be without arithmetic, but a scene of horrors?
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together.
The view of the local scene through the eyes of a native participant in that scene is a different window.
We started seven years ago and finally released our first vintage in March. It's an '07 vintage from Walla Walla, which is my old hometown. It also happens to be a world-class wine region that's just exploding on the scene right now.
A fight scene with a crazy can be quite physical. You don't feel it while you're acting, but each day you go, that hurts.
You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.
I just got Kill Bill: Vol. 2. I've watched it like eight times in the past two months. I just love the scene at the end between David Carradine and Uma Thurman.