If you walk down the street and see someone in a box, you have a choice. That person is either the other and you're fearful of them, or that person is an extension of your family. And that makes you at home in that world and not fearful. So really it's very self-serving.
I think very few people still understand the distinction between CEOs on Wall Street and the hedge-fund billionaires operating separately.
I like a little bit of designer, with a bit of vintage and high street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces.
Hollywood is a suction for your confidence or your faith or your togetherness. Just walking on the street you can feel it.
It isn't enough just to scream at the Occupy Wall Street demonstrations. We need our political system to start reflect this anger back into, 'How do we fix it? How do we get the economy going again?'
It's a very enclosed world on Wall Street.
When I was 11 or 12 - a young boy in Japan - one of my older brothers took me to a sushi restaurant. I had never been to one, and it was very memorable. Back then, sushi was expensive and hard to come by, not like today, when there's a sushi restaurant on every street corner and you can buy it in supermarkets.
By the 1890s, the leading Wall Street bankers were becoming increasingly disgruntled with their own creation, the National Banking System... while the banking system was partially centralized under their leadership, it was not centralized enough.
Music is pretty much the lifestyle, not the music itself. The lifestyle really pulled me off the street. Made me want to do something organized and positive.
I had the privilege of practicing medicine in the early '60s, before we had any government. It worked rather well, and there was nobody on the street suffering with no medical care.
I often talk to myself while walking down the street. I did it as a kid.
If you see me walking down the street, you're gonna see the same guy as you do on stage, dressed the same, looking the same, and nothing changes. I'm just one person.
'Sesame Street' was built on the idea that a show that could capture a child's attention could also give the child an education. That idea turned out to be wildly successful.
Historically, San Franciscans have not valued street trees as much as other communities have.
Time is a beautiful thing. It's like when you meet an old lover on the street six years later and they don't look so ugly anymore.
Now I meet people with full-color Wolverine tattoos on their backs. Thank God I did okay, because I think if I hadn't, they'd spit on me in the street.
Philly ain't a good environment for you when you headed in a different direction. Bad things happen left and right. You might walk up the street, make a wrong turn, and your whole life could flip.
I think true economic class unhappiness comes from when across the street someone has a new Cadillac and you can't get that.
I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.
I think people are entitled to march without a permit. When you have a few hundred thousand people on the street you have permission.
Tolerance is a one-way street in the Age of Obama. 'Choice' is in the eye (and iron fist) of the First Amendment usurper.
A few years ago I was at a party and this guy threw me over his shoulder, ran across the street, put me in his car, and stuck his tongue in my mouth.
You either create something there on the street, or nothing happens. It's brutal. But if you go through that for two or three years, it really toughens you up.
Not trying to be arrogant, but if I walked down the street and a girl saw me, she might take a look back because maybe I'm good-looking, right?
To me, acting is acting... I'd be happy working on a street corner in a mime troupe.
You mean guys don't get injured in spring training? Guys get hurt walking down the street.
Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.
It always amazes me to think that every house on every street is full of so many stories; so many triumphs and tragedies, and all we see are yards and driveways.
I think we all have our own personality, unique and distinctive, and at the same time, I think that our own unique and distinctive personality blends with the wind, with the footsteps in the street, with the noises around the corner, and with the silence of memory, which is the great producer of ghosts.
By creating an urgent crisis that can only be solved by those fluent in a language too complex for ordinary people to understand, the Wall Street crowd has turned the vast majority of Americans into non-participants in their own political future.
I just use my muscles as a conversation piece, like someone walking a cheetah down 42nd Street.
I grew up in a Chinese American enclave where the person who lived down the street had literally lived down the street from my mother in Shanghai.
There's a tradition - in New Orleans it still exists - where people play in the street. People play outside of the venues. Food, music, and that cultural exchange, it happens anywhere.
The street to obscurity is paved with athletes who can perform great feats before friendly crowds.
I think about never losing my voice, never giving in, never selling out, always keeping black, always sticking to the street. Staying neighborhood and not Hollywood.