Zitat des Tages über Storyline:
I don't care how good a song is - if it holds back the storyline, stalls the plot, your audience will reject it.
I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
There was a storyline this year where Taylor lied to Brooke. It was supposed to be set up in a way that I was so outraged by her that I let it stay. I thought that was human, which was great.
If you tried to make a 'Game of Thrones' movie, you'd have to eliminate two-thirds of the characters, and there'd have to be one storyline, but on TV, you can really get to know the characters in a way that there just isn't time to do in a movie.
Deaf people are struggling to find their favorite show or something that represents them. It's hard. There are some examples of shows that have a deaf storyline in one episode, like Cold Case, or another show where they are focusing on the cochlear implant or the medical aspect.
I just love the storyline, I thought it was hilarious - I loved that part when we opened the door, we all look ahead and we have to look down and see that we're actually dealing with this little boy who did this horrible thing of ordering a wife through e-mail.
It's fun to get to play a lead character that goes all the way through and drives the storyline and makes the final discovery and catches the bad guy.
'Luther' is raw and brutal like 'Game Of Thrones,' but it's coincidence. If I'm drawn to anything, it would be the writing. Choosing a project is an organic process where I'm taken in by the character and storyline, not the genre, whether fantasy or gritty and raw.
I wouldn't mind producing a movie with a music storyline, but acting in one is too close to home.
It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline.
Our cinema has evolved in last 60 years because we have made people happy through our films. The main purpose of our storyline is to spread happiness. Our cinema has an emotional connect.
I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.
Normally, when I write a tour show, it's got a title that means something - a beginning, a middle and an end - and some kind of storyline and ideas going through it over two hours.
The U.K. is outward-looking, trade-oriented, growth-oriented, and we do not have enough of that storyline, that tradition, that culture within the European Union.
'Ray Donovan' was all fiction and pure fun, to be working with such greats as Liev Schreiber and Jon Voight. My character was recurring, but my storyline was intricate to the whole thing. With the character that I played, I got to go through all aspects of my instrument. I got to bring it to tears and to laughter.
What happens in improv is you create your own storyline.
I've spoken to people in Silicon Valley, and many times they have said to me, 'X storyline, or that thing that happened in your show - pretty much verbatim has happened to me.' And it's either identical or similar enough to be scary.
In my opinion, it would be a lot better for the culture - meaning the culture of America - if there was more diversity in terms of storyline. In terms of the kind of content that you see about Americans of African descent on the screen.
The worst storyline I've ever been involved in I wasn't involved in, because I was clever enough to get pregnant with my second child and they wrote me out and they replaced me with Christine Jones. And thank God - that was the worst storyline.
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
There are always things you wish you could've done better, and there are always things that you wish would've turned out a different way in terms of storyline, which you're not in charge of.
TV has a three storyline structure, but 'The Killing' takes on that structure with such ambition.
They do the soaps differently in Mexico. You just have to know the storyline and not memorize the lines. There would be someone feeding you lines while you were performing.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on composers and lyricists.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I started 'Storyline' after I'd accomplished all my goals and still wasn't happy. I'd become a 'New York Times' bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.
The normal storyline of a horror film or a slasher film is the young, beautiful college folks go camping and get systematically killed by the person in a mask. So that's how it normally is.
As long as there is a new twist in the storyline, there cannot be any space for monotony.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
Offers come all the time, but I'm pretty particular. I really have to be wowed by a character I encounter in a script, or a storyline. I really do need to feel inspiration, otherwise I'm just happy planting perennials and making goat cheese.
All TV shows are basically part of the same storyline.
I like something with a really great storyline, characters, and concept. I like doing things that are new and cutting edge.
Since so many romantic comedies vary little in their storyline, the success or failure of such movies depends largely on whether we believe in the relationship of the protagonists.
