When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
There's not much of a follow-your-dreams kind of vibe in New Zealand or my family.
Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.
I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.
I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.
I like how fashion is becoming more like music. It's more adaptive to young kids. It's more adaptive to a more on-the-go lifestyle. More street vibe. But I've always been into it.
There's such a good vibe in Minneapolis. You've got an upscale downtown, and yet people aren't afraid to sit around the fire pit in the middle of winter and drink a beer. It's amazing.
My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.
My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'
A scuffed up shoe on the red carpet or at a big premiere is never okay! It can really alter the vibe of a trendy look.
Your employees have lots of opinions about everything - your strategy and vision; the state of the competition; the quality of your products; the vibe in the workplace. There are tons of things you can learn from them.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
I think that people vibe off your energy and I'm a pretty mellow person.
I've always been a strategy kind of guy. I like laying things out and having a plan. Maybe not always a plan, but an approach and a vibe.
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
When I was first going out to funky events, it was a lovely kind of music to dance to - it had such a nice vibe.
I think Maje typifies that French vibe where it's simple items that are very practical, very wearable but also, like, incredibly chic and expensive-looking.
I never got down with conveying a larger-than-life vibe.
Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.
I can create a vibe without saying anything, just by being in the room.