One of the primary reasons I first ran for Congress was to be a voice for our troops, veterans and military families.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
Voice acting is very creative, especially 'Star Wars' voice acting, because there's so much you have to imagine.
I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, 'Let's talk about something that matters'.
But I've had to act and not depend on my voice so much.
I prefer to sing in the shower 'cause the acoustics are really, really good, I mean, when you're singing against the tile walls then you really hear yourself, hear your voice, you know, throwing itself back at you.
My feeling about fears is, if you voice your fears, they may come true. I'm superstitious enough to believe that.
I think a lot of people of my generation are discomfited by the assertion of neutrality in the mainstream media, this idea that they're the voice of God. I think it's just honest to say, yes, you know where I'm coming from but you can fact-check anything I say.
I am no theologian. I am a layman. I am among those who are preached to, and who listen. It is not for me to preach. I should not willingly forego being a listener, a man who reads the Gospels and then listens to what others say that our Lord meant. But sometimes a listener speaks out, and listens to his own voice.
I like movies that resonate, that give voice to the voiceless.
On Hillary Clinton's side, she believes she's unaccountable to the American people. She favors these old ideas about government, these - these centralized, top down solutions from Washington that keep insiders in the know and give them influence, but regular Americans have no voice.
Sometimes the solitary voice can be the best one.
I'm a much more chill person now that I know who I am and know my own voice, so I don't really get nervous with live TV at all.
I have never fallen in love with my own voice, but I've always had an attraction for it.
I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
Sometimes when I hear my voice on tape, I'm like, 'Who is that horrible man?'
One of the things I learned in animation is that you never, ever want to start doing a voice that you can't sustain for four straight hours.
Shortly after this I was made a member of the boys' choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much.
I read Nietzsche when I was a teenager and then I went back to reading him when I was in my thirties, and his voice spoke directly to me. Nietzsche is such a superb literary artist.
No one had ever told me that whites were supposed to sing one kind of music and blacks another - I sang what I liked in the only voice I had.
I know the cadence of the language and the voice of Atlanta because I've lived here for so long.
The network shows have this very commercial voice that you have to adhere to, and the cable shows, it's kind of like winning the lottery. The independent film world is a world you can actually get to. You can get the under-a-million-dollar film by finding a good cast and financing.
Give every man thy ear, but few thy voice.
I realized I could make a difference. I could be their voice; I could fight for them... There's no better place to fight for working families than the governor's chair.
I had been very impressed with the voiceover of 'Apocalypse Now,' with Martin Sheen's voice. That was a great voiceover; it really internalized the Martin Sheen character, who was essentially fairly low key and didn't say a lot during the whole movie. But he thought a lot, so I always thought that was really great.
I should like to be remembered as the man who raised a voice against... placing limitations on the freedom of the individual.
If you listen through the screen of your desires, then you obviously listen to your own voice; you are listening to your own desires.
God gave me a voice to sing with, and when you have that, what other gimmick is there?
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
The evening sings in a voice of amber, the dawn is surely coming.
Everybody you work with has their own voice, and if you do your job well enough, even their closest friends or their partner of 40 years isn't going to recognise the fingerprints of a ghostwriter.
All that I can tell you is, that I used my humble powers to the uttermost, and raised my voice in behalf of Human Rights in general, and the elevation and Rights of Woman in particular, nearly all my life.
I think women have an innate ability to be intuitive with people that they truly love, but they have to trust that inner voice, and I think it is there. I think we are more intuitive than men.
My books may highlight corruption, brutality and venality, but they also show that if these things come to light, there is rectification. The voiceless do have a voice; democratic mechanisms and accountability do exist.
