Sometimes, I write '60s or '80s style pop songs.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
My style is part of the music I like, the bands I see, the people I surround myself with, the places I go to.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
My mother taught us that ambition is part of femininity and really taught us to have substance but also style.
Style has always been very important to us. We grew up in the '70s. Music was glam rock, punk rock and a very stylish movement.
The great thing about 'The Office' and it being single-camera and the documentary style is that it's mostly a comedy, but 10 percent of it is, we get to show the existential angst that exists in the American workplace.
Finding your style is like putting puzzle pieces together.
The move into K-1 was very big at the time. It was very special to me. I liked it. It was different. It was only striking, no ground, so it kinda changed my fight style a little bit.
I don't think mixtapes will ever go out of style.
I think my legacy will be in what most people don't like about me: my style - the separation between judge and lawyers, judge and politics, the real independence of the judiciary from the executive, from the legislative, from money. I'm criticized in Brazil because of that. In the end, I hope to prevail.
Beyonce is one of my inspirations. Her attitude, her style, her voice... she's perfect.
I'm obsessed with the 1920s, everything from the style to the lifestyle. It was a really cool era.
Yes, I tried to change the classical style in a way that people who don't understand it can enjoy.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
First, as I've always said, it all starts with product, which means having the right assortment, styles, and fits. Second is price, where we strive to offer the best quality, style, and design at a fair value. This is critically important, given the highly promotional environment we are operating in. And third, traffic.
Because everything about the voice interests me, I felt it would be fascinating to learn a completely different style of singing.
I think swag is very important to rappers. It's the overall appearance and style of an artist - these blue shorts and this blue hat and this $80,000 chain, this jewelry and all these tattoos, that's swag.
I'm a schizophrenic mix of wannabe glamourpuss and absolute slob, and my style is very much magistrate-meets-barmaid.
The beauty of having short hair is that I actually can wash and style it at home!
Charcoal or gas. Both give excellent results, so choose the one that best suits your style of cooking.
I'll never lose my roots. I think I'm too close to my family for that. I still make my trip back to Nebraska every year, and I still love going back to Texas where I grew up, as well. I've just kind of had to mature a little bit more and get used to a little bit different style of life.
I try to get the hip-hop aesthetic, most times without an MC. I don't use a rapper or a DJ to give it the hip-hop style; it's strictly the band that makes that music, which is a lot harder to do.
I've always loved Helena Christensen's style because she looks casual and comfortable, while being chic and cool.
Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that.
Trying to write books with a subject matter or in a genre or style you're not familiar with is the best way to find the Big Block looming.
Once people start making comparisons to a player of the past, they want you to be that player. I try to go out there and create my own image, my own style, my own type of game. Right now I can't even think of one guy I've been compared to.
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I am a Libertarian Republican in the Goldwater style.
In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.
Style is not neutral; it gives moral directions.
It's not my job to try and alter the director's style - he's in charge, and I'll always give him my trust.
If at first you don't succeed, failure may be your style.
Our style of play is increasingly based on possession of the ball. It suits me as a forward. We've got an attacking approach, and that means that I get a lot of chances; otherwise, I would have not been able to score so many goals.
