There are several books that I have-the Physics of Star Trek, Star Trek and Business, there are manuals on command style and countless scholarly papers that have been written about the significance of Next Generation.
I'm a playmaker. I'm always attacking the rim and have somewhat of a reckless style. I try to be everywhere at once.
I'm an Isabel Marant woman: I love her style so much.
I want a performance style that's more cerebral and emotional than physical. I want to be a creative artist, not a whirling dervish.
I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
Oh, I don't think Tom Sowell would tell anybody to join the administration. That's not his style. But I think his attitude has always been if it had to be done he'd prefer me to do it than somebody else.
The higher up you go, the more mistakes you are allowed. Right at the top, if you make enough of them, it's considered to be your style.
I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.
Well, in features, and in writing especially, it's often the style of the writer comes in.
Fashions fade, style is eternal.
All writers are mimics, and I'm not interested in picking up somebody else's style or voice.
I think everybody has their own unique style.
In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.
I was part of a hip-hop group called Fly Style. I was one of two white girls, and I was part of the younger company, which was called Touch of Style. And it was amazing. It gave me a different perception of dance and beauty because the other girls were mostly African-American and Latina.
My style is not trendy by any means; my inner artists loves to shine through in my wardrobe.
It's wrong for a guy to have no personality, no heart. Because I don't care about style or money.
I feel like we're going to see a lot more movies that mix documentary style with fiction, more along the lines of 'District 9.'
I cannot now change my style, which I acquired, as you can imagine, by dint of labour.
That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.
I like Princess Kate. I think her style is really great. She's really, really classy and always really sophisticated.
I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.
I'd define my everyday style as put together, but also comfortable. A great pair of jeans and a cute top can be so versatile.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
I really take a lot of influence from London style.
I hate it, it is tedious... when I write for my act, it is very improvisational, I write bullet points, I cannot sit in front of a computer; that is not my style.
There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work.
I think it's real important to show style now. The majority of style right now is to act like you don't have style at all, so most companies are getting rich off clothes that look torn, clothes that look worn.
But once you have some success in one style, the business wants to lock you in that vein forever.
I try to live my life free of regrets, but I do have one style regret that makes me laugh and cringe at the same time. Mum used to dress my brother and me in bright neon bike pants and big baggy t-shirts that were so long you could barely see our bike pants.
If you are careful about the content and writing style, readers will not feel that you are in a hurry.
I was actually a poetry major in college before I punted and decided to become a theater major. I wrote the poem that we put on the sauerkraut boxes in the style of Elling.
I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.
I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
My style was nostalgic and involved pearls and penny loafers, always with the pennies in them.
Some of my favorite poets had a tremendous sense of whimsy, so it's a writing style I guess I admire.
My style is kind of all over the place. I've always loved the combination of leather and lace, but that's probably just been something that I fall back on if I can't really figure out what to wear.
