I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested.
We have more franchisees that want to pay us money than we have locations to go into.
The more worrying feature of the new global corporate structures is their capacity to devastate national labour markets by transferring their operations to cheaper locations overseas.
There are a couple of locations in 'The Hobbit' that are shared with 'Lord of the Rings.'
When the Bond films started, people didn't travel quite as much as they do now; a lot of people had never been outside of their own country, and certainly sitting in the cinema and seeing these exotic locations - I mean, that movie did great things for India, for tourism. They were very wise to allow us to film there.
Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
Why isn't the movie industry forced to open its shooting locations to an organization that is there to advocate for animal actors? The industry isn't allowed to pick and choose which movies using young children it will or won't allow to be monitored. The vulnerable should be protected.
I seem to be landing really great locations on a lot of my work. I hope that continues, knock on wood.
My songs don't deal with locations that specifically, even if there are very specific references to them in there; they're sort of just where stories happen, not the stories themselves.
Delaware State has established itself as an institution of excellence in its own right and attracts a diversity of students from various races, socio-economic status and locations.
'Chocolat' was a joy to make, as we were filming in beautiful locations in France and England. Lasse Hallstrom is such an amazing director - overall it was a wonderful experience.
As a Christian, Israel has a very special place in my heart. There's no question about that. I grew up with a Bible, and the back of the Bible has all these pictures of Israel in it. And so all these locations are incredibly significant to me personally in my faith.
Good buildings make and are made by their settings, and they are appropriately different in different locations. Climate, culture, topography and materials have helped create regional architectural languages that seem curiously right for their locations and for all times.
When California provides the same value as other locations, I'd gladly shoot all my pictures here.
One of the things that's been really fun about my run on 'Swamp Thing' is putting him in all kinds of different locations around the world, and seeing how his exterior foliage changes based on his location.
Ultimately, making movies is a really, really small world. Being on sets and going to the same locations, like shooting in Shreveport, you're always working with somebody from another set that you worked with.
Iran has had a very harmful effect in a variety of ways in the region... fomenting unrest to a degree in Saudi Arabia, undoubtedly in Bahrain, and definitely in Yemen with Hamas, with Lebanese Hezbollah among other activities in locations.
After decades of hauling telescopes around in the back of vans and going up to high altitude locations and so forth, I did finally build an observatory, here on Sonoma mountain.
Shooting on location and dressing locations in Los Angeles is shockingly expensive, especially when you're talking about webseries-level budgets, so the opportunity to build our sets in YouTube's space gives us a lot more room in our budget in being able to create the world of 'VGHS' properly.
I'm kind of a globetrotter. I've been traveling since I was born and living in different locations.
I'm really in no one city more than two months during the year. I'm constantly having to readapt my eye to new locations.
I shoot reality-based movies, and in actual locations, shooting them with a star is next to impossible.
Elevated locations imply elevated purposes, even in American cities departing as radically as Los Angeles does from the traditional planning patterns of the Eastern Seaboard.
There's so many interesting aspects of making a movie: the costume department, the set design, the casting itself, the locations.
You're following your track, the story, your only plan, your map for the audience, and all the other stuff is, like, the fun stuff: the costumes, the locations, the set-dressing and the actors. They can all be variable as you like if you stick - however roughly - to the path.
There's a big difference between needs and requirements for grid-based electricity versus those for distributed rural homes or remote locations, or even rooftop solar, where photovoltaics do OK. The more economical a technology is, the faster we'll see adoption.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making.
So far, Vancouver is my favorite relocation city. It feels like home. Parts of it remind me of the east coast. It's very clean. The food is great. And the people are lovely. Not that I didn't love working in other glamorous locations like Downey, Detroit, Cleveland or Bulgaria... but, damn, it is fun to be Canadian.
Google is famous for making the tiniest changes to pixel locations based on the data it accrues through its tests. Google will always choose a spartan webpage that converts over a beautiful page that doesn't have the data to back it up.
You go to traffic court in many locations throughout the country, and you can spell justice - J-U-S-T dash U-S. Just us.
Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.
From a scientific point of view, we now know that the water is interlaced with the lunar soil in many locations, perhaps as remnants of comet collisions with the lunar surface.
I remember when I saw 'The Dark Knight' movie, and I was sitting there watching it, and there actually came one or two places where I had trouble divorcing myself from the reality of the locations because it was filmed in Chicago, and I know that city quite well.
I was excited to come to Australia to shoot for Seafolly because I've been wanting to visit since I was young. There wasn't much time to explore because we were so busy, which happens often during shoots. We had to take a boat to the Whitsunday Islands every day to get to the locations, which was a great way to start the day.
There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.
