If you're playing with a number of people, there are all sorts of textures, all kinds of possibilities you can get into. So why just play a theme together and then take solos?
I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.
A band asked me to go on tour when I was 22 and asked me to play drums, and I taught myself so I could go on this trip with these people. The drums found me; I didn't find them. When I started playing, I realized how appropriate an instrument it was for me.
I've spent hours playing video games.
When I stopped playing hockey and started acting, the last person I was going to ask for help was my dad. He's the king of being like, 'I don't know. It's good work if you can get it. Good luck.'
Technology is playing an increasing role in our industry, and we at Colliers are keenly focused on the impact of some of the technology platforms. We have invested in or partnered with some firms to make sure we know what is happening within the disruptive technologies in the industry.
Looking back on it, now I can identify the points in my life when I wasn't playing, and music - and didn't have that outlet - those were the points when I was most unguided and self destructive because I didn't have that channel to get those energies out. I'm a much healthier person when I play music.
'Moonwalking with Einstein' refers to a memory device I used when I memorized a deck of playing cards at the U.S. Memory Championship. When I competed in 2006, I set a new U.S. record by memorizing a deck of cards in one minute and 40 seconds. That record has since fallen.
Playing Bill Clinton is really, probably, the scariest time of my career.
It's going to be very interesting to see somebody playing me.
One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
In my era, where I'm from, I only had Donald Whiteside. He's from Englewood and he's the only one that came out of Englewood. Other than him, I really didn't have anyone else to look up to that was from my area. So in seeing him, I never gave up hope, just kept playing and then I realized that I might have a future in basketball.
As actors, we want to choose somebody who has conflicts. I can't be always playing the girl next door. What's the challenge in that?
If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
I like more of the club mentality, where we're playing, and if we feel like we want to play a cover, we'll switch to that.
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
Pantera revolutionized the sound and the approach to heavy metal. It's been regurgitated. Once you up the production on a product and not just the playing but the actual production, then it's going to up the ante.
We were always authentic when it came to our style. From when we started to the height of our fame, we've always been consistent in our look because how we dressed was a result of how we felt. We weren't playing dress-up.
It is London fashion week, and once again I haven't been invited to any shows. This is upsetting given my well-known love of fashion, or, as I think of it, playing with the dressing-up box.
That's what it is that you rehearse - the making of music, not the playing of notes as abstractions.
It's not like I grew up playing pranks on people, and I was not that girl in school.
Hmmmm... It's fun being in front of people, playing shows and all. But hotels? Being away from home? That's different.
I think the height of ridiculousness was when I was playing Elizabeth in 'The Golden Age' while preparing to start shooting 'I'm Not There.' I literally finished filming Elizabethan grandeur on Friday, flew to Montreal, and started being Bob Dylan on Monday.
I've had Susan Sarandon play my mom, and now Lesley Ann Warren has played my mom, so if I could have Debra Winger play my mom, then I would have the trifecta of my favorite actresses playing my mother.
It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
There is a tremendous amount of pressure when you are a world No. 1 with everyone behind you trying to knock you down. But I always believe you should be enjoying the pressure at the top. It is a case of being able to relax and keep playing the game that got you there in the first place.
There's a movie called 'Elizabeth: The Golden Age,' where I'm playing the King of Spain. It's a small role, but it's really, really interesting, the way I constructed it.
I've been playing music since I was four, so it's part of my life. It's all I know. It's just a part of my everyday living.
I probably have a club in my hands 360 days a year, one way or another, playing with friends or just fiddling around or hitting balls.
It was great to be able to play a hero in 'The Magnificent Seven' in a film industry where Asian actors are often limited to playing a villain.
I started playing the violin at age 3, and I was very fortunate because there were people who heard me who were influential in getting me auditions. By the time I was 7, I was playing concerts - it was just ridiculous.
Everything I've ever learned about acting - and I went to theater school - was about playing what the character wants and throwing yourself fully into going after what the character wants.
I love the game of football. I've been playing since I was 6 years old, and now that I am retired and not really into it physically, it's all about the mental part of it now. It's just coaching and teaching the game.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
I wouldn't wear turtlenecks. That I'm not envious of. But who knows? I might sneak out a few things and hope and pray that no one says, 'Hey, didn't you wear that when you were playing an enormous geek on TV?'
