'The 100' gave me this platform I never expected. I didn't expect the character to become anything. I was originally only signed up to do six episodes, and then it just sort of become this whole story and journey, which was an amazing character, a great journey, so that has been incredible, and I didn't expect anything out of it.
Because people don't see me around a lot, I'm the source of all sorts of rumour.
I've become this sort of icon for the gay community. I don't like the position.
I am sort of drawn toward places in the world where there is struggle and conflict.
I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
I like all sorts of chocolate. Milk chocolate, dark chocolate, anything.
I'm interested in glorifying something that we in the world would say doesn't deserve being glorified. Something that's forgotten, focused on as though it were some sort of sacred object.
The three actors I admire the most are all dead. Humphrey Bogart, Spencer Tracy and the French actor, Jean Gabin. They're all very natural, sort of masculine without being overly macho.
The world is so caught up in the 'American Idol' idealistic sort of tendency in regards to just thinking that this whole thing is what everybody wants, but it doesn't help you make a better record.
I'm not an original member, though I'm sort of an original member. I've been on a lot of records and took them to great heights. For them to make me the sixth Temptation is quite an honor.
My ears sort of turn off when someone tells me that what my heart is saying isn't a good idea.
To be honest with you, the dramatic side is more fun to play because I don't get to do it as often as I get to do the comedy stuff. Most of my work in this business has been comedy, and that's sort of the way the cookie crumbles. I had not sought out to just be a comedic actor, but I think that's my default because I come from a funny family.
It often happens that the man who pursues the dollar too diligently finds it hard to catch, but if he will pursue some other and better goal, dollars come around to see what sort of fellow he is.
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'
Productivity has always been the justification for the prepackaging of programming knowledge. But it is worth asking about the sort of productivity gains that come from the simplifications of click-and-drag.
Something my mum taught me years and years and years ago, is life's just too short to carry around a great bucket-load of anger and resentment and bitterness and hatreds and all that sort of stuff.
I've actually, very rarely have I worked in my own voice. I've played, I think, Russian, American, Northern from the North of England. All sorts of different accents I've worked in.
I embrace the term 'evangelical,' if by that we mean a belief that we together can actually work for change in the world, caring for the environment, extending to the poor generosity and kindness, a hopeful outlook. That's a beautiful sort of thing.
When I occasionally indulge in sort of a 'look back' at highlights, it's so interesting - it almost never comes from an image on a set or even the Academy Awards. It's almost always a family trip or meeting and falling in love with Cheryl.
Here in America, just as we see such incredible progress happening in one state, we see another state passing absolutely disgusting and oppressive laws against the rights of all sorts of people - transgender people, gay people, women.
I get kind of bored on the treadmill, but I do it. And I do a little bit of weight training. I'm really into the BOSU ball. You have to balance on it, and I do weights and squats on it. I'm pretty good at it, I feel sort of like a Karate Kid.
I've done four other films since 'Submarine,' so that's quite cool. It's just good to have people respect your work; I've never had that before. Yeah, my life has changed crazy. I'm a kid from a small town in south Wales, I play my Xbox usually and all that sort of stuff, and it's a whole new world.
In refugee camps around the world, I met people who were gone. They were still walking around but had lost so much that they were unable to claim any sort of identity. Others I met found who they truly were, and they generally found it through service to others. They became teachers when there was no school, books or pencils.
I love acting, but I am a mom, and the roles just weren't coming because of a mixture of things: because I'm not ambitious, and because I'm older, and I had a baby. I really felt like I had said a graceful and completely happy goodbye to acting in a significant way. And I had sort of made my peace with that.
As I get older, I'm sort of fascinated with the idea of somebody who could construct an entire persona for themselves - one that was really, in a lot of ways, fundamentally at odds with who they really were as a person.
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
I'll be honest - my buddies are always going round saying, 'Put a shirt on. Jeez,' but I grew up on the beach. I grew up surfing. I grew up outdoors. I've sort of always liked being shirtless.
I always find the idea of Britishness a bit of a boring old concept, to be honest. That world of Britishness always comes off a bit twee and only about cream teas and that sort of things.
People wanted me to do a CD-ROM of 'Hitchhiker's,' and I thought, 'No, no.' I didn't want to just sort of reverse-engineer yet another thing from a book I'd already written. I think that the digital media are interesting enough in their own right to be worth originating something in.
The Academy Awards were basically created by the industry to promote pictures. They weren't really to acknowledge the performances. Then it became sort of this a great popularity contest and now, it's an incredible show and it's seen all over the world.
I think when I was younger, I used to sort of long to be a part of films that were really gritty and hardcore in a way.
If we declare ourselves, as readers, to be on the side of life, the question has to be asked what sort of life we are on the side of.
I don't like being pigeonholed at all. It stemmed from after 'Mandy Lane': I was being offered all these horror movies. I love horror movies, but when I dreamed of being a director, it was always doing all sorts of things.
When you have new people coming in and you sort of want to show them the ropes, it's always easier to have people that know the process and are able to sort of just do their thing, and then everyone can kind of follow their lead.
I like drama. My first movie that I did, 'Soul Survivors', was a drama, and I'm just drawn to that; that's sort of my forte.
The thing about living in Los Angeles and doing a lot of movies is that you get to go to a lot of premieres, and, regardless of whether or not you're a celebrity, you still get to walk down the red carpet and then have everyone sort of screaming your name. The pictures never get printed anywhere, but they are nonetheless taking your picture.
