With modeling, I'm thankful to have so many work options. But you do have to be able to say no. In reality, everything would be yes because every gig pays more than any normal job. But you still have to keep your priorities straight in life. And my priorities are my girls.
During childbearing years, changing jobs - even for a fundamentally better gig - can be a very bad idea. Those prime childbearing years - mid-twenties to early forties - overlap precisely with prime professional years. This is when employees are most attractive to new employers, when they should be able to zip up ladders with the most alacrity.
I try to sleep as much as I can. I drink a lot of water. I practice consistently and just try to be ready for the gig.
I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.
Well, I got pretty good and went on the road with a group. We starved. At that time I didn't realize that you'd work one gig in Kansas City, the next in Florida and the next gig will be in Louisville. You know, a thousand miles a night. That was really rough, man.
We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.
I went to Montreal. My first gig went very badly. They just weren't laughing at anything. I found out they were a load of Christians, and it was a gig to raise money for a new church roof.
Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.
I realized that 'performing' was what I wanted to do when I did my first professional gig as a dancer with my company 'Synergy' in Canada. I was overwhelmed with how it felt to perform in front of an audience.
One of them would definitely be the Nelson Mandela gig, when I played the tribute song for him. He was up and dancing, and he really enjoyed it. It was a really lovely occasion.
If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.
If you have to have a job in this world, a high-priced movie star is a pretty good gig.
'Shine On You Crazy Diamond' and 'Wish You Were Here' are standout tracks. 'Comfortably Numb' is another one. 'High Hopes' from 'The Division Bell' is one of my favorite all-time Pink Floyd tracks. 'The Great Gig in the Sky,' 'Echoes,' there's lot of them.
Then I got a gig with an older friend who had the equipment and he played in this bar. They would bring me in the bar through the backdoor and I would DJ in the back room most of the night. Then they'd take me out the backdoor, so I was never really in the bar.
I marketed pens - on the phone. But the beauty of the gig was that you had to call these strangers and say, 'Hi, how ya doing?' You made up a name, like, 'Hey, it's Edward Quartermaine from California. You're eligible to receive this grandfather clock or a trip to Tahiti.' You promise them all these things if they buy a gross of pens.
I guess if you want me to stop writing horrible, mean takedowns of everyone, give me a really, really cushy columnist gig.
It's been great; the whole experience was surreal to me. To go from 'EastEnders' to 'X-Men' was like a dream. I could never have thought when I left 'EastEnders' that I would get this good a gig and so soon.
Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
Every time I do a gig, my goal is getting new fans.
I get myself a gig somewhere, whether it's in a club, whether it's in a bar, it doesn't matter, and I just work on New Year's Eve because I always feel it's very symbolic for me for the next year, for the new year.
Music is the most natural thing in the world. When we go to a gig and we all like it and we share that experience, it's the same sense of communion as a sacred rite in Borneo or wherever it may be; it just gets dressed up different. Its good for the soul.
When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.
When I was young, I used to wear a lot of wigs, and I was running on stage at a gig and tripped over and it fell off. It was in the 1970s, and Swansea were doing really well in the league, and most of the team were there. I almost died, but I picked it up, put it back on my head and carried on.
We also did something called the Texas Peace Festival, which was actually a better gig both musically, and in the way it was organised.
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.'
Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again.
For The Truman Show, I worked for a few weeks, do my gig, then I was done.
I didn't know much about the 'Walking Dead' until after I booked the gig, and then I watched the first four seasons. I binge watched them in two weeks, and at that moment I realised, 'Oh, this is a much bigger thing than I thought it was.'
I knew going in that being a single parent would be one of the toughest jobs I'd ever have. I'd been a talk-show host, actor, comic, and on and on, but this gig was going to be my defining moment.
Each gig should be unique. You're always treading that line between keeping yourself fresh and giving people something they want to hear.
I had a great time on News Radio, I got to make tons of money in relative obscurity and learn a lot about the TV biz and work on my standup act constantly. It was a dream gig.
It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn.
For a time that you couldn't get a gig if you didn't look a certain way.
Some gigs will go great. I figure you do a gig, and as many as can get there will get there.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
