I had trouble fitting in, in a musical sense. A lot of drummers get sidetracked by the instrument. It can engulf you.
I'm not the first one to say it, but that time onstage is a heightened sense of present tense.
We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.
Mutual funds give people the sense that they're investing with the big boys and that they're really not at a disadvantage entering the stock market.
The thing about Hitchcock which is quite extraordinary for a director of that time, he had a very strong sense of his own image and publicizing himself. Just a very strong sense of himself as the character of Hitchcock.
Computers in general, and software in particular, are much more difficult than other kinds of technology for most people to grok, and they overwhelm us with a sense of mystery.
There is no sense in getting excited by market cap because it is a tool.
My mother tried her best to give us a sense of self-esteem.
I am always in much better shape when I am doing a Broadway show because you have the eight shows a week to kind of keep the body clean and perfect in a sense, you know? For instance, I always eat much better when I am in a show because you can't have dairy - for your voice.
Financial security is crucial for your family, and I have a large family. Money does matter when you don't have it. When you need it, you realise the value of it. In that sense, money will always have value.
It doesn't always make sense to have a token on the blockchain that is both useful and represents ownership - it has to be something where there's a network effect. That's why I cite Facebook as an example of what could be disrupted more so than, say, Amazon - which is bit more centralized and is not exactly a network of users in the same way.
Being a white southern African who saw the transition from Rhodesia to Zimbabwe, the sense of being an outsider was absolutely instilled in my limbic system.
I grew up in the Silicon Valley when it was a bunch of apricot groves, and now it's this center of incredible activity. So I have this sense of what technology has done for this region, and I want to spread it to the world.
I think it's easy for people to say, 'Because you do this, you must be this kind of person, vain or uptight or mean to people.' People have a sense of who you may be because of the job you do. That's unfair judgment.
I do not have a sense of humor of any recognizable sort.
There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it.
What unites Trump's voters is a sense of alienation from America's wealthy and powerful.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
It's a sense in Minnesota that we need to get back to common sense. We need to get back to taking sensible looks at positions and understanding the proper role of government.
The American experiment has always depended on a measure of tolerance and good sense.
You don't have to be brought up in a grand house to have a sense of the past, and I truly believe that there are certain people to whom or through whom the territory - the place, the past - speaks.
I just have this thing in my head that I want to do serious stories that are still just way too cute and drawn in a really cute, appealing, rounded, childish way, and it's like, I don't know if it makes sense - but it's just something I'm really strongly compelled to do.
Writing is not for me. I completely lose my sense of humor when I write. I become extremely pathetic, very sensational. Images give me possibilities that I don't have with words.
I was thinking recently about the popularity of TV shows about people shopping for houses. I wonder if part of their appeal is the chance to vicariously imagine our lives playing out in a variety of spaces. We have a sense that the shape and style of our dwellings affects the shapes of the lives that unfold within them.
I was a hacker of sorts. Not a mind 'reader,' exactly; more a mind 'radar,' in tune with the workings of the aether. I could sense the nuances of dreamscapes and rogue spirits. Things outside myself. Things the average voyant wouldn't feel.
I like to be prepared enough to be completely unprepared. I don't know if I make sense, but I have a fantasy of living someone else's life. And to do that perfectly, I need to prepare myself just as properly.
In a sense, by closing off the idea that young Muslims, and particularly young Muslim men, can be American heroes, it increases the chance that they'll try to be some other kind of hero. And that, I think, is entirely counterproductive.
I don't think that when I'm acting I feel like I lose myself to it, but that sense of losing, that sense of discomfort, well, I guess maybe that comes a bit! It's about redefining what 'uncomfortable' means for you.
I'm not a Little Englander. Historically, British people have always been travellers. I look in the world as one place. You have to think in a global sense. Cinema is a global endeavour. My roots are in England but my endeavours are worldwide.
Comedy is the most difficult. Comic timing is something which you either have it in you, or you don't. You have to have a good sense of humour to be able to understand it. A split second can make you lose the punch.
I can recall, as a young adult, running through the rain forest at the Forest Reserve, at times feeling a sense of fear when I felt I was in danger. In danger of confronting an ugly snake or a coral snake, which represented the greatest fear of someone in a rural area when you traverse the forest.
Careers are what they are, they don't make any sense at all when you look back. We're not in charge of them.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
Having robbed children of any sense that their Father is in Heaven and that they are His creation, we then launched an experiment in raising them without earthly fathers too. Having neither a Father in heaven or a father in the home, many young men make gangs their families.
There's a lot of girls in the division I really like, but I always feel like there's this underlying sense of a potential matchup, potential competition. It adds a different element.
