Zitat des Tages über Sinatra:
My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!
I actually started singing those songs six or seven years ago, when I was an opening act for Frank Sinatra.
The Best of Elvis Presley, Doris Day, Jerry Lee Lewis, Bill Hailey and the Comets, Frank Sinatra, Peggy Lee, Frankie Laine all topped the charts in the '50s. Load a playlist of rock n' roll royalty. You're spoilt for choice.
People are quite shocked when you remind them that Elvis Presley and Frank Sinatra never wrote a song that they recorded in their lives, as far as I know.
Then I went to radio with Sinatra and I watched that disappear.
The type of music I like to sing is really those classic songs, those Barbara Streisand, Celine Dion, Frank Sinatra, classics.
My mother was against me being an actress - until I introduced her to Frank Sinatra.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole. He just let them sing whatever they wanted, and it became the best record company in America.
You know, legends are people like Haggard and Jones and Wills and Sinatra. Those people are legends. I'm just a young buck out here trying to keep in that same circle with the rest of 'em.
Everything about Sinatra was good. He had the ability to pick great songs, and once Sinatra had sung them, that pretty much was it. He pretty much put his stamp on everything.
I don't have an iPod. I don't get the whole iPod thing. Who has time to listen to that much music? If I had one, it would probably have Sinatra, Beatles, some '70s music, some '80s music, and that's it.
I have the most eclectic audience - I've got gay, I've got straight, black, white, rich, poor, young, old, in 45 countries. And they don't all come because I'm the Sinatra kid, though that's a big part of it. My biggest successes have come from pop songs that I write myself.
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
I always have music. I love it to be very upbeat. When you're having drinks, I like something like Cesaria Evora. During dinner, I like the much more traditional - old Frank Sinatra and things like that.
I have a fondness for jazz, particularly for jazz singers, Billie Holiday and Ella Fitzgerald all the way through the Sinatra era.
Sinatra asked me out.
Sinatra was just one of Mom's friends.
Sinatra was pretty astute - he used the best songwriters around, he used all the resources, he covered every song from the era basically.
Every time a new rock singer comes out they don't say, 'Are you the new John Lennon?' Every time a new rapper comes out, it's not, 'Are you the new Dre?' I am never sure why this sort of genre, the categorization is so strong. I have not earned the right to be called the young Sinatra, but give me time.
There will never be another Frank Sinatra. I never wanted to be another Frank Sinatra. I only wanted to be another Michael Buble.
My musical development stopped when Frank Sinatra died.
A lot of the greatest compositions were made famous by Sinatra.
The duet with Frank Sinatra, 'What Now My Love,' is one of my favorites.
'Strictly Sinatra' became a compromise between me and the producers, and neither of us liked the results much.
I learned a lot about what I do with my craft, how I present my music. A lot of things about him were very much an influence on me and everybody else. Once you get in that fold and you're around it, you get to experience something that I don't think we'll ever see again. There will never be anybody like Frank Sinatra. Ever.
Sinatra slowly found a way to allow tenderness into the performance while remaining manly. He perfected the role of the Tender Tough Guy and passed it on to several generations of Americans. Before him, that archetype did not exist in American popular culture.
Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?
My agent said to me five years ago, 'Hugh, I can see one day you... if I had to plan a goal for you, it's for you to have the kind of career that Sinatra had.'
In 1957's 'There's No You,' Sinatra is suspended at the intersection of a loss he can't face and a memory he can't relinquish.
Like Frank Sinatra, I'm doing it my way.
We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.
Frank Sinatra is the only one that went from teen idol to superstar.
Frank Sinatra taught me how to do him. It took me seven years to master him. He would tell me, tap your foot, Rich, and don't forget to grasp your sleeve.
Frank Sinatra was a great singer, but my favourite is Sammy Davis Jr. He had incredible versatility in his voice, often doing impressions of people. It's always going to be classic, and you'll never get bored listening.