Zitat des Tages von J. D. Souther:
My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.
Think back to the early rock n' roll records, and the average record length in the '50s - and well into the '60s - was two and a half minutes. It's very hard to put that much songwriting into two and a half minutes.
I never fully understand all the drama and machinations within the Eagles.
I never even held a guitar until I was 23 and living in California, but then loved it. I'm really not an accomplished instrumentalist. Maybe that has something to do with why I write and sing.
When I lived in Los Angeles, I used to live in the Hollywood Hills, behind Grauman's Theater, and I'd always hit the matinees.
I'm not a great band member; I'm more of a band leader.
In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
I've been singing and writing songs only a little longer than acting. I really enjoy both.
Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don.
I don't want to think that anything is off limits for me to write about, but I also don't want to intrude on anybody's life, which is why there's very little specificity or names in the songs I write.
Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
